TITLE

Lublin Studies in Modern Languages and Literature 2019 / Tom 43 / Numer 2

PUBLISHER Wydział Humanistyczny, Uniwersytet Marii Curie-Skłodowskiej w Lublinie

ISSN 0137-4699

NUMBER OF VOLUMES 82

2019 / Tom 43 / Numer 2 Choose another

ARTICLE TITLE PAGES AUTHORS ACTIONS

From the Editors

p. 1 - 2

Anna Kędra-Kardela Aleksandra Kędzierska Andrzej Sławomir Kowalczyk

Full Text

Plain Text

BIBTEX
Going Down the Drain: Sweeney Todd, Sewerage, and London Sanitation in the 1840s

p. 3 - 18

Jarlath Killeen

Full Text

Plain Text

BIBTEX
The Dialogic Mode in Jane Austen’s ”Northanger Abbey”: The Manorial Gothic Meets a Subversive Novel of Manners

p. 19 - 30

Urszula Terentowicz-Fotyga

Full Text

Plain Text

BIBTEX
The Utopian and the Gothic in Ellis James Davis’s ”Pyrna: A Commune; or, Under The Ice”

p. 31 - 39

Marta Komsta

Full Text

Plain Text

BIBTEX
The Political Gothic of Dystopian Romance. Joseph Shield Nicholson’s ”Thoth” (1888)

p. 41 - 49

Justyna Laura Galant

Full Text

Plain Text

BIBTEX
The Fertility of the Supernatural: Stuart Neville’s ”The Ghosts of Belfast”

p. 51 - 59

Jacek Mydla

Full Text

Plain Text

BIBTEX
John Dickson Carr’s Early Detective Novels and the Gothic Convention.

p. 61 - 72

Joanna Kokot

Full Text

Plain Text

BIBTEX
“You have a lovely and unusual name.” Mrs de Winter from Daphne du Maurier’s ”Rebecca” – a Gothic Heroine in Search of Identity

p. 75 - 85

Anna Kędra-Kardela

Full Text

Plain Text

BIBTEX
Mistaken for Ghosts: The Gothic Trope of Catholic Superstition in Conrad and Ford’s ”Romance”

p. 87 - 96

Anne Keithline

Full Text

Plain Text

BIBTEX
Violence as Spectacle: Happy Gothic in Ben Aaronovitch’s ”Rivers of London”

p. 97 - 108

Aleksandra Kędzierska

Full Text

Plain Text

BIBTEX
“I know not […] what I myself am”: Conceptual Integration in Susan Heyboer O’Keefe’s ”Frankenstein’s Monster” (2010)

p. 109 - 123

Andrzej Sławomir Kowalczyk

Full Text

Plain Text

BIBTEX
Living in the Sunken Place: Notes on Jordan Peele’s ”Get Out” as Gothic Fiction

p. 125 - 133

Jorge Bastos da Silva

Full Text

Plain Text

BIBTEX
Family Resemblance: Frankenstein’s Monster and the Phantom of the Opera in ”Penny Dreadful” (2014-2016)

p. 135 - 143

Dorota Babilas

Full Text

Plain Text

BIBTEX
From a Gothic Text to a Neobaroque Cinema: Wojciech Jerzy Has’s Adaptation of James Hogg’s ”The Private Memoirs and Confessions of a Justified Sinner”

p. 145 - 156

Zofia Kolbuszewska

Full Text

Plain Text

BIBTEX
Darwin’s Monsters: Evolution, Science, and the Gothic in Christian Alvart’s ”Pandorum”

p. 157 - 166

Katarzyna Pisarska

Full Text

Plain Text

BIBTEX