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Acknowledgementss. 5CZYSTY TEKST
Acknowledgements , Multicultural Shakespeare, 2007 / Tom 4, s. 5
BIBTEX@Article{ authors = "", title = "Acknowledgements ", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "5" }
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Contributorss. 7 - 9CZYSTY TEKST
Contributors, Multicultural Shakespeare, 2007 / Tom 4, s. 7 - 9
BIBTEX@Article{ authors = "", title = "Contributors", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "7 - 9" }
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Shakespeare and Europe: History – Performance – Memorys. 11 - 15CZYSTY TEKST
Lawrence Guntner, Shakespeare and Europe: History – Performance – Memory, Multicultural Shakespeare, 2007 / Tom 4, s. 11 - 15
BIBTEX@Article{ authors = " Lawrence Guntner", title = "Shakespeare and Europe: History – Performance – Memory", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "11 - 15" }
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Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sandss. 17 - 27CZYSTY TEKST
Monika Śmiałkowska, Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands , Multicultural Shakespeare, 2007 / Tom 4, s. 17 - 27
BIBTEX@Article{ authors = " Monika Śmiałkowska", title = "Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands ", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "17 - 27" }
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Shakespeare at the Español: Franco and the Construction of a "National" Cultures. 29 - 36CZYSTY TEKST
Keith Gregor, Shakespeare at the Español: Franco and the Construction of a "National" Culture , Multicultural Shakespeare, 2007 / Tom 4, s. 29 - 36
BIBTEX@Article{ authors = " Keith Gregor", title = "Shakespeare at the Español: Franco and the Construction of a "National" Culture ", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "29 - 36" }
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Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)s. 37 - 49CZYSTY TEKST
Tina Krontiris, Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947), Multicultural Shakespeare, 2007 / Tom 4, s. 37 - 49
BIBTEX@Article{ authors = " Tina Krontiris", title = "Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "37 - 49" }
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History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955s. 51 - 58CZYSTY TEKST
Veronika Schandl, History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955, Multicultural Shakespeare, 2007 / Tom 4, s. 51 - 58
BIBTEX@Article{ authors = " Veronika Schandl", title = "History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "51 - 58" }
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Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984)s. 59 - 65CZYSTY TEKST
Jacek Fabiszak, Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984) , Multicultural Shakespeare, 2007 / Tom 4, s. 59 - 65
BIBTEX@Article{ authors = " Jacek Fabiszak", title = "Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984) ", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "59 - 65" }
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Richard III in Russian Theatre at the Twilight of the "Thaw"s. 67 - 72CZYSTY TEKST
Mark Sokolyansky, Richard III in Russian Theatre at the Twilight of the "Thaw", Multicultural Shakespeare, 2007 / Tom 4, s. 67 - 72
BIBTEX@Article{ authors = " Mark Sokolyansky", title = "Richard III in Russian Theatre at the Twilight of the "Thaw"", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "67 - 72" }
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"Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptationss. 73 - 87CZYSTY TEKST
Stuart Hampton-Reeves, "Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations , Multicultural Shakespeare, 2007 / Tom 4, s. 73 - 87
BIBTEX@Article{ authors = " Stuart Hampton-Reeves", title = ""Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptations ", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "73 - 87" }
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Between Transgression and Institutionalization: Teatro Comuna’s Measure for Measures. 89 - 98CZYSTY TEKST
Francesca Rayner, Between Transgression and Institutionalization: Teatro Comuna’s Measure for Measure , Multicultural Shakespeare, 2007 / Tom 4, s. 89 - 98
BIBTEX@Article{ authors = " Francesca Rayner", title = "Between Transgression and Institutionalization: Teatro Comuna’s Measure for Measure ", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "89 - 98" }
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"Romanian" Shakespeare on the New York Stage: Andrei Serban’s Hamlets. 99 - 108CZYSTY TEKST
Patricia Lennox, "Romanian" Shakespeare on the New York Stage: Andrei Serban’s Hamlet, Multicultural Shakespeare, 2007 / Tom 4, s. 99 - 108
BIBTEX@Article{ authors = " Patricia Lennox", title = ""Romanian" Shakespeare on the New York Stage: Andrei Serban’s Hamlet", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "99 - 108" }
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"That Shakespearian Rome! Work in Progress..." An Experiment in Intermedial Criticisms. 109 - 112CZYSTY TEKST
Nancy Isenberg, "That Shakespearian Rome! Work in Progress..." An Experiment in Intermedial Criticism , Multicultural Shakespeare, 2007 / Tom 4, s. 109 - 112
BIBTEX@Article{ authors = " Nancy Isenberg", title = ""That Shakespearian Rome! Work in Progress..." An Experiment in Intermedial Criticism ", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "109 - 112" }
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EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presences. 127 - 135CZYSTY TEKST
EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presence, Multicultural Shakespeare, 2007 / Tom 4, s. 127 - 135
BIBTEX@Article{ authors = "", title = "EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presence", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "127 - 135" }
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"Gamlet: V Poiskakh Podlinnika", Uilyam Shekspir, Moscow 2003 : [recenzja]s. 123 - 125CZYSTY TEKST
Vladimir Vakhrushev, "Gamlet: V Poiskakh Podlinnika", Uilyam Shekspir, Moscow 2003 : [recenzja], Multicultural Shakespeare, 2007 / Tom 4, s. 123 - 125
BIBTEX@Article{ authors = " Vladimir Vakhrushev", title = ""Gamlet: V Poiskakh Podlinnika", Uilyam Shekspir, Moscow 2003 : [recenzja]", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "123 - 125" }
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"Shakespeare in the Undiscovered Bourn. Les' Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics", Irena R Makaryk, Toronto 2004 : [recenzja]s. 113 - 116CZYSTY TEKST
Irena R. Makaryk, "Shakespeare in the Undiscovered Bourn. Les' Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics", Irena R Makaryk, Toronto 2004 : [recenzja], Multicultural Shakespeare, 2007 / Tom 4, s. 113 - 116
BIBTEX@Article{ authors = " Irena R. Makaryk", title = ""Shakespeare in the Undiscovered Bourn. Les' Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics", Irena R Makaryk, Toronto 2004 : [recenzja]", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "113 - 116" }
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"Foreign Accents: Brazilian Readings of Shakespeare", ed. by Aimara da Cunha Resende, Newark and London 2002 : [recenzja]s. 116 - 122CZYSTY TEKST
Monika Sosnowska, Aimara da Cunha Resende, "Foreign Accents: Brazilian Readings of Shakespeare", ed. by Aimara da Cunha Resende, Newark and London 2002 : [recenzja], Multicultural Shakespeare, 2007 / Tom 4, s. 116 - 122
BIBTEX@Article{ authors = " Monika Sosnowska, Aimara da Cunha Resende", title = ""Foreign Accents: Brazilian Readings of Shakespeare", ed. by Aimara da Cunha Resende, Newark and London 2002 : [recenzja]", journal = "Multicultural Shakespeare", issue = "2007 / Tom 4", pages = "116 - 122" }
