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From the Editorp. 5 - 6Plain Text
Jerzy Malinowski, From the Editor, The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 5 - 6
BIBTEX@Article{ authors = "Jerzy Malinowski", title = "From the Editor", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "5 - 6" }
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The Emotional Dimension of the ‘Nature of the World (Lokasya Svabhāva)’ and the Meaning of Saḥrdaya Avadhakiśoragurucaraṇasmrtiai Samarpyate’p. 7 - 13Plain Text
Maria Krzysztof Byrski, The Emotional Dimension of the ‘Nature of the World (Lokasya Svabhāva)’ and the Meaning of Saḥrdaya Avadhakiśoragurucaraṇasmrtiai Samarpyate’, The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 7 - 13
BIBTEX@Article{ authors = "Maria Krzysztof Byrski", title = "The Emotional Dimension of the ‘Nature of the World (Lokasya Svabhāva)’ and the Meaning of Saḥrdaya Avadhakiśoragurucaraṇasmrtiai Samarpyate’", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "7 - 13" }
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Triple Temples in India, Nepal and Cambodia : A Contribution to the Question of ‘Inclusivism’p. 14 - 36Plain Text
Adalbert J. Gail, Triple Temples in India, Nepal and Cambodia : A Contribution to the Question of ‘Inclusivism’ , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 14 - 36
BIBTEX@Article{ authors = "Adalbert J. Gail", title = "Triple Temples in India, Nepal and Cambodia : A Contribution to the Question of ‘Inclusivism’ ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "14 - 36" }
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‘Parinirvāṇa’ Representations in the Art of Mathura: A Study Based on the Discovery of a Unique ‘Parinirvāṇa’ Stele from the Varāha Temple of Mathurap. 37 - 60Plain Text
Vinay Kumar Gupta, Monika Zin, ‘Parinirvāṇa’ Representations in the Art of Mathura: A Study Based on the Discovery of a Unique ‘Parinirvāṇa’ Stele from the Varāha Temple of Mathura , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 37 - 60
BIBTEX@Article{ authors = "Vinay Kumar Gupta, Monika Zin", title = "‘Parinirvāṇa’ Representations in the Art of Mathura: A Study Based on the Discovery of a Unique ‘Parinirvāṇa’ Stele from the Varāha Temple of Mathura ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "37 - 60" }
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The ‘Āyāgapaṭas’ of Mathurap. 61 - 78Plain Text
Kanika Kishore, The ‘Āyāgapaṭas’ of Mathura , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 61 - 78
BIBTEX@Article{ authors = "Kanika Kishore", title = "The ‘Āyāgapaṭas’ of Mathura ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "61 - 78" }
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An Enigmatic Female Ascetic Figure from Mathurap. 79 - 91Plain Text
Chandreyi Basu, An Enigmatic Female Ascetic Figure from Mathura , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 79 - 91
BIBTEX@Article{ authors = "Chandreyi Basu", title = "An Enigmatic Female Ascetic Figure from Mathura ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "79 - 91" }
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Discovering Buddhism in Southern Punjab: A Study of Vanishing Buddhist Heritage at Sui Vihārap. 92 - 100Plain Text
Muhammad Hameed, Discovering Buddhism in Southern Punjab: A Study of Vanishing Buddhist Heritage at Sui Vihāra , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 92 - 100
BIBTEX@Article{ authors = "Muhammad Hameed", title = "Discovering Buddhism in Southern Punjab: A Study of Vanishing Buddhist Heritage at Sui Vihāra ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "92 - 100" }
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The Travels of Two Marine Beasts from the Mediterranean to Gandhara – A Transfer of Form and Meaning?p. 101 - 108Plain Text
Kirsten Southworth, The Travels of Two Marine Beasts from the Mediterranean to Gandhara – A Transfer of Form and Meaning?, The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 101 - 108
BIBTEX@Article{ authors = "Kirsten Southworth", title = "The Travels of Two Marine Beasts from the Mediterranean to Gandhara – A Transfer of Form and Meaning?", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "101 - 108" }
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Cōḻa Bronzes in the Context of the History and Culture of Tamil Nadup. 109 - 146Plain Text
Marzenna Czerniak-Drożdżowicz, Anna Ślączka, Cōḻa Bronzes in the Context of the History and Culture of Tamil Nadu , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 109 - 146
BIBTEX@Article{ authors = "Marzenna Czerniak-Drożdżowicz, Anna Ślączka", title = "Cōḻa Bronzes in the Context of the History and Culture of Tamil Nadu ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "109 - 146" }
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The Religious and Social Signifi cance of Chenrezig in Vajrāyana Buddhism : A Study of Select Tibetan ‘Thangkas’p. 147 - 163Plain Text
Sama Haq, The Religious and Social Signifi cance of Chenrezig in Vajrāyana Buddhism : A Study of Select Tibetan ‘Thangkas’ , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 147 - 163
BIBTEX@Article{ authors = "Sama Haq", title = "The Religious and Social Signifi cance of Chenrezig in Vajrāyana Buddhism : A Study of Select Tibetan ‘Thangkas’ ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "147 - 163" }
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A Concept of Comic Dance as Presented in ‘Kāḷi Nāṭakam’ of Narayana Guru in the Light of His Later Philosophical Worksp. 164 - 176Plain Text
Hanna Urbańska, A Concept of Comic Dance as Presented in ‘Kāḷi Nāṭakam’ of Narayana Guru in the Light of His Later Philosophical Works , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 164 - 176
BIBTEX@Article{ authors = "Hanna Urbańska", title = "A Concept of Comic Dance as Presented in ‘Kāḷi Nāṭakam’ of Narayana Guru in the Light of His Later Philosophical Works ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "164 - 176" }
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Rāgiṇī Bhairavī : A Case Study of Select ‘rāgacitras’ from the Miniature Paintings of Mewar (16th–17th Century C.E.)p. 177 - 188Plain Text
Anupa Pande, Rāgiṇī Bhairavī : A Case Study of Select ‘rāgacitras’ from the Miniature Paintings of Mewar (16th–17th Century C.E.) , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 177 - 188
BIBTEX@Article{ authors = "Anupa Pande", title = "Rāgiṇī Bhairavī : A Case Study of Select ‘rāgacitras’ from the Miniature Paintings of Mewar (16th–17th Century C.E.) ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "177 - 188" }
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Art and Gender in the ‘Contact Zone’ – European Women and Indian Miniature Paintingp. 198 - 216Plain Text
Dorota Kamińska-Jones, Art and Gender in the ‘Contact Zone’ – European Women and Indian Miniature Painting , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 198 - 216
BIBTEX@Article{ authors = "Dorota Kamińska-Jones", title = "Art and Gender in the ‘Contact Zone’ – European Women and Indian Miniature Painting ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "198 - 216" }
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Art and Politics: British Patronage in Delhi (1803–1857p. 217 - 229Plain Text
Savita Kumari, Art and Politics: British Patronage in Delhi (1803–1857, The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 217 - 229
BIBTEX@Article{ authors = "Savita Kumari", title = "Art and Politics: British Patronage in Delhi (1803–1857", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "217 - 229" }
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Kira Banasińska – Seventy Years in India : From Diplomacy to Kaybeep. 230 - 243Plain Text
Małgorzata Reinhard-Chlanda, Kira Banasińska – Seventy Years in India : From Diplomacy to Kaybee , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 230 - 243
BIBTEX@Article{ authors = "Małgorzata Reinhard-Chlanda", title = "Kira Banasińska – Seventy Years in India : From Diplomacy to Kaybee ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "230 - 243" }
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Inspirations of Traditional Hindu Temple Architecture in the Birla Mandir in Renukootp. 244 - 259Plain Text
Agnieszka Staszczyk, Inspirations of Traditional Hindu Temple Architecture in the Birla Mandir in Renukoot , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 244 - 259
BIBTEX@Article{ authors = "Agnieszka Staszczyk", title = "Inspirations of Traditional Hindu Temple Architecture in the Birla Mandir in Renukoot ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "244 - 259" }
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Culturally Sensitive Contemporary Buildings in Indiap. 260 - 273Plain Text
Anna Rynkowska-Sachse, Culturally Sensitive Contemporary Buildings in India , The Art of the Orient. Studies on the Art of Asia, 2016 / Tom 5, s. 260 - 273
BIBTEX@Article{ authors = "Anna Rynkowska-Sachse", title = "Culturally Sensitive Contemporary Buildings in India ", journal = "The Art of the Orient. Studies on the Art of Asia", issue = "2016 / Tom 5", pages = "260 - 273" }
