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Editor's notes. 7CZYSTY TEKST
Jerzy Malinowski, Editor's note, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 7
BIBTEX@Article{ authors = " Jerzy Malinowski", title = "Editor's note", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "7" }
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Introductions. 9 - 10CZYSTY TEKST
Introduction, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 9 - 10
BIBTEX@Article{ authors = "", title = "Introduction", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "9 - 10" }
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Kumihimo: An Ancient Art or a Present–Day One? The Gifts of Mrs Midori Suzuki to the Japanese Art Collection in Krakows. 13 - 18CZYSTY TEKST
Małgorzata Martini, Kumihimo: An Ancient Art or a Present–Day One? The Gifts of Mrs Midori Suzuki to the Japanese Art Collection in Krakow , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 13 - 18
BIBTEX@Article{ authors = " Małgorzata Martini", title = "Kumihimo: An Ancient Art or a Present–Day One? The Gifts of Mrs Midori Suzuki to the Japanese Art Collection in Krakow ", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "13 - 18" }
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“How the Kimono Released Women from Corsets” – Japonism in Fashion at the Turn of the 19th and 20th Centuriess. 19 - 24CZYSTY TEKST
Barbara Szewczyk, “How the Kimono Released Women from Corsets” – Japonism in Fashion at the Turn of the 19th and 20th Centuries, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 19 - 24
BIBTEX@Article{ authors = " Barbara Szewczyk", title = "“How the Kimono Released Women from Corsets” – Japonism in Fashion at the Turn of the 19th and 20th Centuries", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "19 - 24" }
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The Kimono as a Fashion Phenomenon in Modern Japan and Beyonds. 25 - 32CZYSTY TEKST
Anna Bielak, The Kimono as a Fashion Phenomenon in Modern Japan and Beyond , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 25 - 32
BIBTEX@Article{ authors = " Anna Bielak", title = "The Kimono as a Fashion Phenomenon in Modern Japan and Beyond ", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "25 - 32" }
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Traditional Japanese Shibori and Contemporary Textile Designs. 33 - 44CZYSTY TEKST
Maria Cybulska, Tomasz Dróżdż, Traditional Japanese Shibori and Contemporary Textile Design, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 33 - 44
BIBTEX@Article{ authors = " Maria Cybulska, Tomasz Dróżdż", title = "Traditional Japanese Shibori and Contemporary Textile Design", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "33 - 44" }
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To [Mend] * A Reflection on the Lee Edelkoort Anti-Fashion Manifesto, the Kimono Reconstruction Project – My Personal Vision on How Mended Clothes Can Mean “Style” in the Future and How This is Connected with the Boro Textiles of Japans. 45 - 52CZYSTY TEKST
Joanna Bodzek, To [Mend] * A Reflection on the Lee Edelkoort Anti-Fashion Manifesto, the Kimono Reconstruction Project – My Personal Vision on How Mended Clothes Can Mean “Style” in the Future and How This is Connected with the Boro Textiles of Japan, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 45 - 52
BIBTEX@Article{ authors = " Joanna Bodzek", title = "To [Mend] * A Reflection on the Lee Edelkoort Anti-Fashion Manifesto, the Kimono Reconstruction Project – My Personal Vision on How Mended Clothes Can Mean “Style” in the Future and How This is Connected with the Boro Textiles of Japan", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "45 - 52" }
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Reception of the Orient in the Eighteenth-Century European Silk Industrys. 53 - 64CZYSTY TEKST
Ewa Orlińska-Mianowska, Reception of the Orient in the Eighteenth-Century European Silk Industry, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 53 - 64
BIBTEX@Article{ authors = " Ewa Orlińska-Mianowska", title = "Reception of the Orient in the Eighteenth-Century European Silk Industry", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "53 - 64" }
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Transferring Patterns Along the Silk Road: Vine and Grape Motifs on Chinese Silks in the 1st Millennium ADs. 67 - 80CZYSTY TEKST
Marta Żuchowska, Transferring Patterns Along the Silk Road: Vine and Grape Motifs on Chinese Silks in the 1st Millennium AD , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 67 - 80
BIBTEX@Article{ authors = " Marta Żuchowska", title = "Transferring Patterns Along the Silk Road: Vine and Grape Motifs on Chinese Silks in the 1st Millennium AD ", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "67 - 80" }
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The Faces from Noin Ula’s Embroidery – Xiongnu or Kushans?s. 81 - 90CZYSTY TEKST
Paweł Janik, The Faces from Noin Ula’s Embroidery – Xiongnu or Kushans? , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 81 - 90
BIBTEX@Article{ authors = " Paweł Janik", title = "The Faces from Noin Ula’s Embroidery – Xiongnu or Kushans? ", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "81 - 90" }
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The Language of Kučean Clothing: A Comparative Study of Wall Paintings and Textiless. 91 - 102CZYSTY TEKST
Astrid Klein, The Language of Kučean Clothing: A Comparative Study of Wall Paintings and Textiles, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 91 - 102
BIBTEX@Article{ authors = " Astrid Klein", title = "The Language of Kučean Clothing: A Comparative Study of Wall Paintings and Textiles", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "91 - 102" }
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The Celestial Lotus: On the Sources of Ornamental Patterns Woven in Silk Samites. 105 - 118CZYSTY TEKST
Kosuke Goto, The Celestial Lotus: On the Sources of Ornamental Patterns Woven in Silk Samite , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 105 - 118
BIBTEX@Article{ authors = " Kosuke Goto", title = "The Celestial Lotus: On the Sources of Ornamental Patterns Woven in Silk Samite ", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "105 - 118" }
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Textiles Patterns on the Move: Looking at the Iconographical Exchanges Along the Silk Route in the Pre-Modern Period as Cultural Processess. 119 - 131CZYSTY TEKST
Maria Ludovica Rosati, Textiles Patterns on the Move: Looking at the Iconographical Exchanges Along the Silk Route in the Pre-Modern Period as Cultural Processes, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 119 - 131
BIBTEX@Article{ authors = " Maria Ludovica Rosati", title = "Textiles Patterns on the Move: Looking at the Iconographical Exchanges Along the Silk Route in the Pre-Modern Period as Cultural Processes", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "119 - 131" }
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The Cross-Cultural Role of Textiles Exemplified by Textiles with Arabic Inscriptions and Some Other Motifss. 133 - 143CZYSTY TEKST
Beata Biedrońska-Słota, The Cross-Cultural Role of Textiles Exemplified by Textiles with Arabic Inscriptions and Some Other Motifs, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 133 - 143
BIBTEX@Article{ authors = " Beata Biedrońska-Słota", title = "The Cross-Cultural Role of Textiles Exemplified by Textiles with Arabic Inscriptions and Some Other Motifs", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "133 - 143" }
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Silk Trade from Bursa to Krakow on the Silk Roads. 145 - 153CZYSTY TEKST
Cemile Tuna, Silk Trade from Bursa to Krakow on the Silk Road, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 145 - 153
BIBTEX@Article{ authors = " Cemile Tuna", title = "Silk Trade from Bursa to Krakow on the Silk Road", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "145 - 153" }
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Colour is a Sign of National Traditional Ornamental Arts. 157 - 167CZYSTY TEKST
Natalia Shabalina, Colour is a Sign of National Traditional Ornamental Art, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 157 - 167
BIBTEX@Article{ authors = " Natalia Shabalina", title = "Colour is a Sign of National Traditional Ornamental Art", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "157 - 167" }
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Characterisation of Dyes, Metal Threads and Silk Yarns from 16–18th-century Ottoman Silk Brocadess. 169 - 179CZYSTY TEKST
Racep Karadag, Characterisation of Dyes, Metal Threads and Silk Yarns from 16–18th-century Ottoman Silk Brocades, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 169 - 179
BIBTEX@Article{ authors = " Racep Karadag", title = "Characterisation of Dyes, Metal Threads and Silk Yarns from 16–18th-century Ottoman Silk Brocades", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "169 - 179" }
