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Editor's notep. 7Plain Text
Jerzy Malinowski, Editor's note, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 7
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Introductionp. 9 - 10Plain Text
Introduction, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 9 - 10
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Kumihimo: An Ancient Art or a Present–Day One? The Gifts of Mrs Midori Suzuki to the Japanese Art Collection in Krakowp. 13 - 18Plain Text
Małgorzata Martini, Kumihimo: An Ancient Art or a Present–Day One? The Gifts of Mrs Midori Suzuki to the Japanese Art Collection in Krakow , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 13 - 18
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“How the Kimono Released Women from Corsets” – Japonism in Fashion at the Turn of the 19th and 20th Centuriesp. 19 - 24Plain Text
Barbara Szewczyk, “How the Kimono Released Women from Corsets” – Japonism in Fashion at the Turn of the 19th and 20th Centuries, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 19 - 24
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The Kimono as a Fashion Phenomenon in Modern Japan and Beyondp. 25 - 32Plain Text
Anna Bielak, The Kimono as a Fashion Phenomenon in Modern Japan and Beyond , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 25 - 32
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Traditional Japanese Shibori and Contemporary Textile Designp. 33 - 44Plain Text
Maria Cybulska, Tomasz Dróżdż, Traditional Japanese Shibori and Contemporary Textile Design, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 33 - 44
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To [Mend] * A Reflection on the Lee Edelkoort Anti-Fashion Manifesto, the Kimono Reconstruction Project – My Personal Vision on How Mended Clothes Can Mean “Style” in the Future and How This is Connected with the Boro Textiles of Japanp. 45 - 52Plain Text
Joanna Bodzek, To [Mend] * A Reflection on the Lee Edelkoort Anti-Fashion Manifesto, the Kimono Reconstruction Project – My Personal Vision on How Mended Clothes Can Mean “Style” in the Future and How This is Connected with the Boro Textiles of Japan, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 45 - 52
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Reception of the Orient in the Eighteenth-Century European Silk Industryp. 53 - 64Plain Text
Ewa Orlińska-Mianowska, Reception of the Orient in the Eighteenth-Century European Silk Industry, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 53 - 64
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Transferring Patterns Along the Silk Road: Vine and Grape Motifs on Chinese Silks in the 1st Millennium ADp. 67 - 80Plain Text
Marta Żuchowska, Transferring Patterns Along the Silk Road: Vine and Grape Motifs on Chinese Silks in the 1st Millennium AD , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 67 - 80
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The Faces from Noin Ula’s Embroidery – Xiongnu or Kushans?p. 81 - 90Plain Text
Paweł Janik, The Faces from Noin Ula’s Embroidery – Xiongnu or Kushans? , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 81 - 90
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The Language of Kučean Clothing: A Comparative Study of Wall Paintings and Textilesp. 91 - 102Plain Text
Astrid Klein, The Language of Kučean Clothing: A Comparative Study of Wall Paintings and Textiles, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 91 - 102
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The Celestial Lotus: On the Sources of Ornamental Patterns Woven in Silk Samitep. 105 - 118Plain Text
Kosuke Goto, The Celestial Lotus: On the Sources of Ornamental Patterns Woven in Silk Samite , The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 105 - 118
BIBTEX@Article{ authors = "Kosuke Goto", title = "The Celestial Lotus: On the Sources of Ornamental Patterns Woven in Silk Samite ", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "105 - 118" }
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Textiles Patterns on the Move: Looking at the Iconographical Exchanges Along the Silk Route in the Pre-Modern Period as Cultural Processesp. 119 - 131Plain Text
Maria Ludovica Rosati, Textiles Patterns on the Move: Looking at the Iconographical Exchanges Along the Silk Route in the Pre-Modern Period as Cultural Processes, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 119 - 131
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The Cross-Cultural Role of Textiles Exemplified by Textiles with Arabic Inscriptions and Some Other Motifsp. 133 - 143Plain Text
Beata Biedrońska-Słota, The Cross-Cultural Role of Textiles Exemplified by Textiles with Arabic Inscriptions and Some Other Motifs, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 133 - 143
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Silk Trade from Bursa to Krakow on the Silk Roadp. 145 - 153Plain Text
Cemile Tuna, Silk Trade from Bursa to Krakow on the Silk Road, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 145 - 153
BIBTEX@Article{ authors = "Cemile Tuna", title = "Silk Trade from Bursa to Krakow on the Silk Road", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "145 - 153" }
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Colour is a Sign of National Traditional Ornamental Artp. 157 - 167Plain Text
Natalia Shabalina, Colour is a Sign of National Traditional Ornamental Art, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 157 - 167
BIBTEX@Article{ authors = "Natalia Shabalina", title = "Colour is a Sign of National Traditional Ornamental Art", journal = "The Artistic Traditions of non-European Culture", issue = "2016 / Tom 4", pages = "157 - 167" }
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Characterisation of Dyes, Metal Threads and Silk Yarns from 16–18th-century Ottoman Silk Brocadesp. 169 - 179Plain Text
Racep Karadag, Characterisation of Dyes, Metal Threads and Silk Yarns from 16–18th-century Ottoman Silk Brocades, The Artistic Traditions of non-European Culture, 2016 / Tom 4, s. 169 - 179
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