World Art Studies

@Article{ authors = " Anna Markowska", title = "Introduction", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "9 - 12" }

@Article{ authors = " Agata Kubala", title = "'Damnatio memoriae' and Roman imperial art", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "15 - 23" }

@Article{ authors = " Anna Gut", title = "The condemnation of memory in the modern epitaphs of Central Pomerania", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "25 - 34" }

@Article{ authors = " Joanna Filipczyk, Małgorzata Haładewicz-Grzelak", title = "Fine arts in the context of the 'degermanization' in the region of Opolian Silesia after 1945", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "35 - 46" }

@Article{ authors = " Piotr Bernatowicz", title = "Removal of Communist monuments : obliteration of the past or healing the memory?", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "47 - 56" }

@Article{ authors = " Marcin Boronowski, Agnieszka Kłos", title = "The disappearing memory of Birkenau : a story of the power of nature", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "59 - 72" }

@Article{ authors = " Eleonora Jedlińska", title = "A nook at Wolborska Street, or expunged remains of Jewish culture in Łodź", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "73 - 80" }

@Article{ authors = " Anna Markowska", title = "Conspicuously absent Jews, alien environments : Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "81 - 88" }

@Article{ authors = " Hadara Scheflan Katzav", title = "Re-representation : critical art and the return of the repressed", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "91 - 96" }

@Article{ authors = " Anna Ziębińska-Witek", title = "Historical museums : between representation and illusion", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "97 - 105" }

@Article{ authors = " Xanthi Tsiftsi", title = "Void, the art of erasure : representing absence in the Jewish Museum Berlin", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "107 - 113" }

@Article{ authors = " Anna Bernaczyk, Marta Smolińska", title = "Jan Berdyszak : between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "115 - 124" }

@Article{ authors = " Lucia Popa", title = "'Removing' Romania : the Western art world colonized by the 'East'", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "125 - 130" }

@Article{ authors = " Agnė Narušytė", title = "Memory of erased time in 'The Soldier's Diary' by Lithuanian artist Gintaras Zinkevičius", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "131 - 141" }

@Article{ authors = " Sylwia Helim, Andrzej Jarosz", title = "The absent ones : placing the post-war Wrocław painting in the context of Polish art", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "143 - 155" }

@Article{ authors = " Agata Soczyńska", title = "Marek Oberländer : a painter undesired by the time", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "157 - 163" }

@Article{ authors = " Alicja Palęcka", title = "Visualizing the other : ethnographic film as thick description", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "165 - 169" }

@Article{ authors = " Jed Speare", title = "Washing up memories : some strategies of Milan Kohout's performance activism", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "171 - 179" }

@Article{ authors = " Camelia Gradinaru", title = "Visual tyranny as autopoiesis", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "183 - 189" }

@Article{ authors = " Rafał Eysymontt", title = "The town as a palimpsest : erasing and recovering the medieval town", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "191 - 204" }

@Article{ authors = " Michał Zawada", title = "Imaging iconoclasm", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "205 - 212" }

@Article{ authors = " Jakub Zarzycki", title = "Polish history painting in the second half of the nineteenth century as a 'quasi-metanarrative' : visible tyranny of Idea?", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "213 - 219" }

@Article{ authors = " Zuzanna Ilnicka", title = "Gerhard Richter's failing memory : the October 18, 1977 and the need to allow doubt", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "221 - 224" }

@Article{ authors = " Małgorzata Ksenia Krzyżanowska", title = "'Nothing is getting as old as modernity' : i.e. why the trend for Nine Graphic Artists Group has passed", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "225 - 233" }

@Article{ authors = " Agnieszka Sinicka", title = "Wilhem Sasnal's photophobia", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "235 - 239" }

@Article{ authors = " Anna Stec", title = "Anish Kapoor, 'Memory'", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "241 - 246" }

@Article{ authors = " Anna Sikora-Sabat", title = "Romantic creation and socialist erasure : representation of Vincent van Gogh in the printed media of the People's Republic of Poland", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "247 - 250" }

@Article{ authors = " Magdalena Zięba", title = "Authenticity (aura) recycled : erasing originality in appropriation art", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "253 - 263" }

@Article{ authors = " Rafał Ilnicki", title = "Digital Lethe of transhumanism : weak mind uploading as erasure of individual and collective memory", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "265 - 270" }

@Article{ authors = " Agnieszka Bandura", title = "Politics of replacing in New Romanticism", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "271 - 279" }

@Article{ authors = " Katarzyna Bojarska", title = "Spectrality and the possibility of seeing (loss) : photography against the referentiality of history", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "281 - 286" }

@Article{ authors = " Barbara Szczepańska", title = "Strategy of erasing, manipulation and destruction in photography : interpretation Aneta Grzeszykowska's 'Album'", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "287 - 300" }

@Article{ authors = " Alicja Klimczak-Dobrzaniecka, Patrycja Sikora, Marcin Wawrzyńczak", title = "Erasure. Memory Exercises", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "301 - 313" }

@Article{ authors = " Maria Magdalena Morawiecka", title = "'Terra incognita' : on cartographic silence on old maps : (Middle Ages and the beginning of the Early Modern Period)", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "317 - 322" }

@Article{ authors = " Magdalena Worłowska", title = "'Let self-effacement be my way of blazing' : erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "323 - 328" }

@Article{ authors = " Konrad Niemira", title = "Isolation / Erasure / Oblivion : an artwork in Marcel Proust's 'A la recherche de temps perdu'", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "329 - 335" }

@Article{ authors = " Małgorzata Nieszczerzewska", title = "Erasure of time : photographs of abandoned places", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "337 - 345" }

@Article{ authors = "", title = "Conferences and Studies of the Polish Institute of World Art Studies", journal = "World Art Studies", issue = "2014 / Tom 13", pages = "346 - 357" }