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Introductions. 9 - 11CZYSTY TEKST
Agnieszka Kluczewska-Wójcik, Jerzy Malinowski, Introduction, World Art Studies, 2012 / Tom 9, s. 9 - 11
BIBTEX@Article{ authors = " Agnieszka Kluczewska-Wójcik, Jerzy Malinowski", title = "Introduction", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "9 - 11" }
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Art and the artss. 15 - 17CZYSTY TEKST
Krystyna Wilkoszewska, Art and the arts, World Art Studies, 2012 / Tom 9, s. 15 - 17
BIBTEX@Article{ authors = " Krystyna Wilkoszewska", title = "Art and the arts", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "15 - 17" }
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Taste, sense of beauty, and the cognitive role of Japanese aestheticss. 19 - 23CZYSTY TEKST
Beata Kubiak Ho-Chi, Taste, sense of beauty, and the cognitive role of Japanese aesthetics, World Art Studies, 2012 / Tom 9, s. 19 - 23
BIBTEX@Article{ authors = " Beata Kubiak Ho-Chi", title = "Taste, sense of beauty, and the cognitive role of Japanese aesthetics", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "19 - 23" }
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Johakyu 序破急s. 25 - 30CZYSTY TEKST
Yumiko Matsuzaki, Johakyu 序破急, World Art Studies, 2012 / Tom 9, s. 25 - 30
BIBTEX@Article{ authors = " Yumiko Matsuzaki", title = "Johakyu 序破急", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "25 - 30" }
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The Classicism of the Nara art (8th century)s. 31 - 37CZYSTY TEKST
Hidemichi Tanaka, The Classicism of the Nara art (8th century), World Art Studies, 2012 / Tom 9, s. 31 - 37
BIBTEX@Article{ authors = " Hidemichi Tanaka", title = "The Classicism of the Nara art (8th century)", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "31 - 37" }
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Salt dealer Bunshō's incredible career : introducing a rare collection of Japanese illustrated manuscripts (Nara ehon) in Frankfurt's Museum of Applied Artss. 39 - 44CZYSTY TEKST
Stephan von der Schulenburg, Salt dealer Bunshō's incredible career : introducing a rare collection of Japanese illustrated manuscripts (Nara ehon) in Frankfurt's Museum of Applied Arts, World Art Studies, 2012 / Tom 9, s. 39 - 44
BIBTEX@Article{ authors = " Stephan von der Schulenburg", title = "Salt dealer Bunshō's incredible career : introducing a rare collection of Japanese illustrated manuscripts (Nara ehon) in Frankfurt's Museum of Applied Arts", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "39 - 44" }
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The 'export' of artistic crafts through foreigners visiting Kyoto in the modern periods. 45 - 50CZYSTY TEKST
Tomoki Ota, The 'export' of artistic crafts through foreigners visiting Kyoto in the modern period, World Art Studies, 2012 / Tom 9, s. 45 - 50
BIBTEX@Article{ authors = " Tomoki Ota", title = "The 'export' of artistic crafts through foreigners visiting Kyoto in the modern period", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "45 - 50" }
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Zen influence on Japanese dry landscape gardenss. 51 - 59CZYSTY TEKST
Agnieszka Kozyra, Zen influence on Japanese dry landscape gardens, World Art Studies, 2012 / Tom 9, s. 51 - 59
BIBTEX@Article{ authors = " Agnieszka Kozyra", title = "Zen influence on Japanese dry landscape gardens", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "51 - 59" }
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The Japanese Garden in Wroclaw : trends in transformations from 1913 to 2005s. 61 - 68CZYSTY TEKST
Małgorzata Wołodźko, The Japanese Garden in Wroclaw : trends in transformations from 1913 to 2005, World Art Studies, 2012 / Tom 9, s. 61 - 68
BIBTEX@Article{ authors = " Małgorzata Wołodźko", title = "The Japanese Garden in Wroclaw : trends in transformations from 1913 to 2005", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "61 - 68" }
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Yokoo Tadanori and the rediscovery of Hokusai's Great Wavess. 69 - 73CZYSTY TEKST
Christine M. E. Guth, Yokoo Tadanori and the rediscovery of Hokusai's Great Waves, World Art Studies, 2012 / Tom 9, s. 69 - 73
BIBTEX@Article{ authors = " Christine M. E. Guth", title = "Yokoo Tadanori and the rediscovery of Hokusai's Great Waves", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "69 - 73" }
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How Japanese was the 'Inrō'?s. 77 - 84CZYSTY TEKST
Julia Hutt, How Japanese was the 'Inrō'?, World Art Studies, 2012 / Tom 9, s. 77 - 84
BIBTEX@Article{ authors = " Julia Hutt", title = "How Japanese was the 'Inrō'?", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "77 - 84" }
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'Dashi-ningyō' or the dolls on the top of floats in the 'Kawagoe-matsuri's. 85 - 90CZYSTY TEKST
Estera Żeromska, 'Dashi-ningyō' or the dolls on the top of floats in the 'Kawagoe-matsuri', World Art Studies, 2012 / Tom 9, s. 85 - 90
BIBTEX@Article{ authors = " Estera Żeromska", title = "'Dashi-ningyō' or the dolls on the top of floats in the 'Kawagoe-matsuri'", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "85 - 90" }
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Evolution of Takarazuka stage make-up : from reality to extremitys. 91 - 95CZYSTY TEKST
Monika Lecińska-Ruchniewicz, Evolution of Takarazuka stage make-up : from reality to extremity, World Art Studies, 2012 / Tom 9, s. 91 - 95
BIBTEX@Article{ authors = " Monika Lecińska-Ruchniewicz", title = "Evolution of Takarazuka stage make-up : from reality to extremity", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "91 - 95" }
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Japanese traditional raiment as a modus of Japanese cultures. 97 - 101CZYSTY TEKST
Svitlana Rybalko, Japanese traditional raiment as a modus of Japanese culture, World Art Studies, 2012 / Tom 9, s. 97 - 101
BIBTEX@Article{ authors = " Svitlana Rybalko", title = "Japanese traditional raiment as a modus of Japanese culture", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "97 - 101" }
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Searching for Shuko's 'chilled' and 'withered' in a global age : the inner dynamics of a modern day tea ceremonys. 103 - 106CZYSTY TEKST
John J. Toomey, Searching for Shuko's 'chilled' and 'withered' in a global age : the inner dynamics of a modern day tea ceremony, World Art Studies, 2012 / Tom 9, s. 103 - 106
BIBTEX@Article{ authors = " John J. Toomey", title = "Searching for Shuko's 'chilled' and 'withered' in a global age : the inner dynamics of a modern day tea ceremony", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "103 - 106" }
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Bizen : traditional Japanese ceramicss. 107 - 112CZYSTY TEKST
Klaudia Morawiec, Bizen : traditional Japanese ceramics, World Art Studies, 2012 / Tom 9, s. 107 - 112
BIBTEX@Article{ authors = " Klaudia Morawiec", title = "Bizen : traditional Japanese ceramics", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "107 - 112" }
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Saikokai and the paradigm shift in the appreciation of ceramics in Japans. 113 - 118CZYSTY TEKST
Magdalena Kołodziej, Saikokai and the paradigm shift in the appreciation of ceramics in Japan, World Art Studies, 2012 / Tom 9, s. 113 - 118
BIBTEX@Article{ authors = " Magdalena Kołodziej", title = "Saikokai and the paradigm shift in the appreciation of ceramics in Japan", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "113 - 118" }
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Kintsugi : the Japanese way of repairing china with lacquer and golds. 119 - 123CZYSTY TEKST
Joanna Koryciarz-Kitamikado, Kintsugi : the Japanese way of repairing china with lacquer and gold, World Art Studies, 2012 / Tom 9, s. 119 - 123
BIBTEX@Article{ authors = " Joanna Koryciarz-Kitamikado", title = "Kintsugi : the Japanese way of repairing china with lacquer and gold", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "119 - 123" }
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The screen with the image of a tiger and a dragon : the technique of workmanship and the conservations. 125 - 134CZYSTY TEKST
Katarzyna Zapolska, The screen with the image of a tiger and a dragon : the technique of workmanship and the conservation, World Art Studies, 2012 / Tom 9, s. 125 - 134
BIBTEX@Article{ authors = " Katarzyna Zapolska", title = "The screen with the image of a tiger and a dragon : the technique of workmanship and the conservation", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "125 - 134" }
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Traditional Japanese methods and European conservation principles in the restoration of the 'kakemono' scrolls from the collection of Asia and Pacific Museum in Warsaws. 135 - 143CZYSTY TEKST
Weronika Liszewska, Jacek Tomaszewski, Traditional Japanese methods and European conservation principles in the restoration of the 'kakemono' scrolls from the collection of Asia and Pacific Museum in Warsaw, World Art Studies, 2012 / Tom 9, s. 135 - 143
BIBTEX@Article{ authors = " Weronika Liszewska, Jacek Tomaszewski", title = "Traditional Japanese methods and European conservation principles in the restoration of the 'kakemono' scrolls from the collection of Asia and Pacific Museum in Warsaw", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "135 - 143" }
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China's role in the diffusion of Japanese lacquerwares. 147 - 151CZYSTY TEKST
Geneviève Lacambre, China's role in the diffusion of Japanese lacquerware, World Art Studies, 2012 / Tom 9, s. 147 - 151
BIBTEX@Article{ authors = " Geneviève Lacambre", title = "China's role in the diffusion of Japanese lacquerware", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "147 - 151" }
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Namban table : a Japanese star of Wilanow historical collections. 153 - 158CZYSTY TEKST
Anna Ekielska-Mardal, Namban table : a Japanese star of Wilanow historical collection, World Art Studies, 2012 / Tom 9, s. 153 - 158
BIBTEX@Article{ authors = " Anna Ekielska-Mardal", title = "Namban table : a Japanese star of Wilanow historical collection", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "153 - 158" }
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Japanese art as ethnographic or decorative art : the 1868-1869 Austro-Hungarian East Asia Expedition and collecting Japanese art in Vienna and Budapests. 159 - 164CZYSTY TEKST
Monika Bincsik, Japanese art as ethnographic or decorative art : the 1868-1869 Austro-Hungarian East Asia Expedition and collecting Japanese art in Vienna and Budapest, World Art Studies, 2012 / Tom 9, s. 159 - 164
BIBTEX@Article{ authors = " Monika Bincsik", title = "Japanese art as ethnographic or decorative art : the 1868-1869 Austro-Hungarian East Asia Expedition and collecting Japanese art in Vienna and Budapest", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "159 - 164" }
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Collecting and promotion of the Japanese art in Poland at the turn of the 19th and 20th centurys. 165 - 175CZYSTY TEKST
Agnieszka Kluczewska-Wójcik, Collecting and promotion of the Japanese art in Poland at the turn of the 19th and 20th century, World Art Studies, 2012 / Tom 9, s. 165 - 175
BIBTEX@Article{ authors = " Agnieszka Kluczewska-Wójcik", title = "Collecting and promotion of the Japanese art in Poland at the turn of the 19th and 20th century", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "165 - 175" }
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The collection of Charles Cartier-Bresson (1852-1921) and the Japanese curio market in Paris at the end of the 19th century and at the beginning of the 20th centurys. 177 - 182CZYSTY TEKST
Tomo Imai, The collection of Charles Cartier-Bresson (1852-1921) and the Japanese curio market in Paris at the end of the 19th century and at the beginning of the 20th century, World Art Studies, 2012 / Tom 9, s. 177 - 182
BIBTEX@Article{ authors = " Tomo Imai", title = "The collection of Charles Cartier-Bresson (1852-1921) and the Japanese curio market in Paris at the end of the 19th century and at the beginning of the 20th century", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "177 - 182" }
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A Collection of Japanese cloisonné enamels in the National Museum, Warsaws. 183 - 190CZYSTY TEKST
Anna Katarzyna Maleszko, A Collection of Japanese cloisonné enamels in the National Museum, Warsaw, World Art Studies, 2012 / Tom 9, s. 183 - 190
BIBTEX@Article{ authors = " Anna Katarzyna Maleszko", title = "A Collection of Japanese cloisonné enamels in the National Museum, Warsaw", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "183 - 190" }
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Japanese collection of The District Museum in Toruńs. 191 - 195CZYSTY TEKST
Katarzyna Paczuska, Japanese collection of The District Museum in Toruń, World Art Studies, 2012 / Tom 9, s. 191 - 195
BIBTEX@Article{ authors = " Katarzyna Paczuska", title = "Japanese collection of The District Museum in Toruń", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "191 - 195" }
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'Ukiyo-e' woodblock prints inspired by the Japanese adaptations of Chinese novels based on the Feliks Jasieński collections. 197 - 205CZYSTY TEKST
Jerzy Juruś, Małgorzata Martini, 'Ukiyo-e' woodblock prints inspired by the Japanese adaptations of Chinese novels based on the Feliks Jasieński collection, World Art Studies, 2012 / Tom 9, s. 197 - 205
BIBTEX@Article{ authors = " Jerzy Juruś, Małgorzata Martini", title = "'Ukiyo-e' woodblock prints inspired by the Japanese adaptations of Chinese novels based on the Feliks Jasieński collection", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "197 - 205" }
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The collection of Shudo Sadamu in the State Museum of Oriental Art in Moscows. 207 - 212CZYSTY TEKST
Galina Shishkina, The collection of Shudo Sadamu in the State Museum of Oriental Art in Moscow, World Art Studies, 2012 / Tom 9, s. 207 - 212
BIBTEX@Article{ authors = " Galina Shishkina", title = "The collection of Shudo Sadamu in the State Museum of Oriental Art in Moscow", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "207 - 212" }
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What is 'Japonisme'? Terminology and interpretations. 215 - 218CZYSTY TEKST
Toshio Watanabe, What is 'Japonisme'? Terminology and interpretation, World Art Studies, 2012 / Tom 9, s. 215 - 218
BIBTEX@Article{ authors = " Toshio Watanabe", title = "What is 'Japonisme'? Terminology and interpretation", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "215 - 218" }
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Unexpected reversals : Japanism, 'Ukiyo-e' prints, and their influence on Meiji and Taishō-era Kyoto 'Nihonga's. 219 - 224CZYSTY TEKST
John Szostak, Unexpected reversals : Japanism, 'Ukiyo-e' prints, and their influence on Meiji and Taishō-era Kyoto 'Nihonga', World Art Studies, 2012 / Tom 9, s. 219 - 224
BIBTEX@Article{ authors = " John Szostak", title = "Unexpected reversals : Japanism, 'Ukiyo-e' prints, and their influence on Meiji and Taishō-era Kyoto 'Nihonga'", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "219 - 224" }
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Polish and Japanese painting : relations and parallels (1853-1939)s. 225 - 234CZYSTY TEKST
Jerzy Malinowski, Polish and Japanese painting : relations and parallels (1853-1939), World Art Studies, 2012 / Tom 9, s. 225 - 234
BIBTEX@Article{ authors = " Jerzy Malinowski", title = "Polish and Japanese painting : relations and parallels (1853-1939)", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "225 - 234" }
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The unique quality of Polish Japanismes. 235 - 239CZYSTY TEKST
Łukasz Kossowski, The unique quality of Polish Japanisme, World Art Studies, 2012 / Tom 9, s. 235 - 239
BIBTEX@Article{ authors = " Łukasz Kossowski", title = "The unique quality of Polish Japanisme", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "235 - 239" }
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Japonisme at Krakow Academy of Fine Arts (1895-1939) in the context of other examples of Japonisme in art educations. 241 - 249CZYSTY TEKST
Piotr Spławski, Japonisme at Krakow Academy of Fine Arts (1895-1939) in the context of other examples of Japonisme in art education, World Art Studies, 2012 / Tom 9, s. 241 - 249
BIBTEX@Article{ authors = " Piotr Spławski", title = "Japonisme at Krakow Academy of Fine Arts (1895-1939) in the context of other examples of Japonisme in art education", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "241 - 249" }
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Kimono and sword : performing Japanese in Galician Krakows. 251 - 259CZYSTY TEKST
Ewa Machotka, Kimono and sword : performing Japanese in Galician Krakow, World Art Studies, 2012 / Tom 9, s. 251 - 259
BIBTEX@Article{ authors = " Ewa Machotka", title = "Kimono and sword : performing Japanese in Galician Krakow", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "251 - 259" }
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Japonisme and Japonaiserie in the Czech Lands (1880s-1920s)s. 261 - 266CZYSTY TEKST
Markéta Hánová, Japonisme and Japonaiserie in the Czech Lands (1880s-1920s), World Art Studies, 2012 / Tom 9, s. 261 - 266
BIBTEX@Article{ authors = " Markéta Hánová", title = "Japonisme and Japonaiserie in the Czech Lands (1880s-1920s)", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "261 - 266" }
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The 'Meiji no Nihon' film collection : visions of the 19th-century Japan captured by European and Japanese early filmmakerss. 267 - 276CZYSTY TEKST
Jakub Karpoluk, The 'Meiji no Nihon' film collection : visions of the 19th-century Japan captured by European and Japanese early filmmakers, World Art Studies, 2012 / Tom 9, s. 267 - 276
BIBTEX@Article{ authors = " Jakub Karpoluk", title = "The 'Meiji no Nihon' film collection : visions of the 19th-century Japan captured by European and Japanese early filmmakers", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "267 - 276" }
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The Japanese 'overseas' architecture in North-East China 1905-1945s. 277 - 284CZYSTY TEKST
Łukasz Mikołaj Sadowski, The Japanese 'overseas' architecture in North-East China 1905-1945, World Art Studies, 2012 / Tom 9, s. 277 - 284
BIBTEX@Article{ authors = " Łukasz Mikołaj Sadowski", title = "The Japanese 'overseas' architecture in North-East China 1905-1945", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "277 - 284" }
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Let's go West : Japanese design invades occidental tableware in the 1930ss. 285 - 294CZYSTY TEKST
Gisela Jahn, Let's go West : Japanese design invades occidental tableware in the 1930s, World Art Studies, 2012 / Tom 9, s. 285 - 294
BIBTEX@Article{ authors = " Gisela Jahn", title = "Let's go West : Japanese design invades occidental tableware in the 1930s", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "285 - 294" }
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The pioneers of media art in postwar Japan : the avant-garde group Jikken Kobo : (Experimental Workshop)s. 297 - 303CZYSTY TEKST
Toshino Iguchi, The pioneers of media art in postwar Japan : the avant-garde group Jikken Kobo : (Experimental Workshop), World Art Studies, 2012 / Tom 9, s. 297 - 303
BIBTEX@Article{ authors = " Toshino Iguchi", title = "The pioneers of media art in postwar Japan : the avant-garde group Jikken Kobo : (Experimental Workshop)", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "297 - 303" }
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Visual communication in Japanese theater poster : contextual materials for a poster by Tanaka Ikkōs. 305 - 311CZYSTY TEKST
Nagisa Rządek, Visual communication in Japanese theater poster : contextual materials for a poster by Tanaka Ikkō, World Art Studies, 2012 / Tom 9, s. 305 - 311
BIBTEX@Article{ authors = " Nagisa Rządek", title = "Visual communication in Japanese theater poster : contextual materials for a poster by Tanaka Ikkō", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "305 - 311" }
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Polish and Japanese masters of posters (after 1945) : schools, inspirations, influencess. 313 - 320CZYSTY TEKST
Katarzyna Kulpińska, Polish and Japanese masters of posters (after 1945) : schools, inspirations, influences, World Art Studies, 2012 / Tom 9, s. 313 - 320
BIBTEX@Article{ authors = " Katarzyna Kulpińska", title = "Polish and Japanese masters of posters (after 1945) : schools, inspirations, influences", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "313 - 320" }
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Images to be 'read' : Murakami Takashi's mangaesque nihonga-like paintingss. 321 - 325CZYSTY TEKST
Jaqueline Berndt, Images to be 'read' : Murakami Takashi's mangaesque nihonga-like paintings, World Art Studies, 2012 / Tom 9, s. 321 - 325
BIBTEX@Article{ authors = " Jaqueline Berndt", title = "Images to be 'read' : Murakami Takashi's mangaesque nihonga-like paintings", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "321 - 325" }
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Cultural performance in photography of Japanese women artistss. 327 - 332CZYSTY TEKST
Magdalena Furmanik-Kowalska, Cultural performance in photography of Japanese women artists, World Art Studies, 2012 / Tom 9, s. 327 - 332
BIBTEX@Article{ authors = " Magdalena Furmanik-Kowalska", title = "Cultural performance in photography of Japanese women artists", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "327 - 332" }
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Young Polish artists inspired by Japanese cultures. 333 - 340CZYSTY TEKST
Agnieszka Jankowska-Marzec, Young Polish artists inspired by Japanese culture, World Art Studies, 2012 / Tom 9, s. 333 - 340
BIBTEX@Article{ authors = " Agnieszka Jankowska-Marzec", title = "Young Polish artists inspired by Japanese culture", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "333 - 340" }
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'Silence of the Taming' : transculture project of Andrzej Karmasz as an example of the interpretation of Japanese cultures. 341 - 345CZYSTY TEKST
Małgorzata Jankowska, 'Silence of the Taming' : transculture project of Andrzej Karmasz as an example of the interpretation of Japanese culture, World Art Studies, 2012 / Tom 9, s. 341 - 345
BIBTEX@Article{ authors = " Małgorzata Jankowska", title = "'Silence of the Taming' : transculture project of Andrzej Karmasz as an example of the interpretation of Japanese culture", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "341 - 345" }
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The crack between imagination and symbolism : the exhibition 'HANA : the adventure of our vision in interval of reality and a fiction's. 347 - 351CZYSTY TEKST
Akiko Kasuya, The crack between imagination and symbolism : the exhibition 'HANA : the adventure of our vision in interval of reality and a fiction', World Art Studies, 2012 / Tom 9, s. 347 - 351
BIBTEX@Article{ authors = " Akiko Kasuya", title = "The crack between imagination and symbolism : the exhibition 'HANA : the adventure of our vision in interval of reality and a fiction'", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "347 - 351" }
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Contemporary housing architecture in Japan and Poland : similarities and differencess. 353 - 360CZYSTY TEKST
Joanna Kucharzewska, Contemporary housing architecture in Japan and Poland : similarities and differences, World Art Studies, 2012 / Tom 9, s. 353 - 360
BIBTEX@Article{ authors = " Joanna Kucharzewska", title = "Contemporary housing architecture in Japan and Poland : similarities and differences", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "353 - 360" }
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Conferences of the Polish Society of Oriental Art, the Society of Modern Art in Torun and the Polish Institute of World Art Studiess. 361CZYSTY TEKST
Conferences of the Polish Society of Oriental Art, the Society of Modern Art in Torun and the Polish Institute of World Art Studies, World Art Studies, 2012 / Tom 9, s. 361
BIBTEX@Article{ authors = "", title = "Conferences of the Polish Society of Oriental Art, the Society of Modern Art in Torun and the Polish Institute of World Art Studies", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "361" }
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Publication of the Polish Institute of World Art Studies the conjoint former Polish Society of Oriental Art in Warsaw, and the Society of Modern Art in Torun, 2010-2012s. 362 - 363CZYSTY TEKST
Publication of the Polish Institute of World Art Studies the conjoint former Polish Society of Oriental Art in Warsaw, and the Society of Modern Art in Torun, 2010-2012, World Art Studies, 2012 / Tom 9, s. 362 - 363
BIBTEX@Article{ authors = "", title = "Publication of the Polish Institute of World Art Studies the conjoint former Polish Society of Oriental Art in Warsaw, and the Society of Modern Art in Torun, 2010-2012", journal = "World Art Studies", issue = "2012 / Tom 9", pages = "362 - 363" }