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INVALIDCZYSTY TEKST
INVALID, World Art Studies, 2011 / Tom 5, s.
BIBTEX@Article{ authors = "", title = "INVALID", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "" }
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Introductions. 9 - 11CZYSTY TEKST
Jerzy Malinowski, Introduction, World Art Studies, 2011 / Tom 5, s. 9 - 11
BIBTEX@Article{ authors = " Jerzy Malinowski", title = "Introduction", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "9 - 11" }
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Introductions. 13 - 14CZYSTY TEKST
Beata Biedrońska-Słota, Introduction, World Art Studies, 2011 / Tom 5, s. 13 - 14
BIBTEX@Article{ authors = " Beata Biedrońska-Słota", title = "Introduction", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "13 - 14" }
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Poland and Turkey : from enmity to friendships. 15CZYSTY TEKST
Zdzisław Żygulski, Poland and Turkey : from enmity to friendship, World Art Studies, 2011 / Tom 5, s. 15
BIBTEX@Article{ authors = " Zdzisław Żygulski", title = "Poland and Turkey : from enmity to friendship", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "15" }
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About Tatars and Moslems on Polish soils. 17 - 19CZYSTY TEKST
Tomasz Miśkiewicz, About Tatars and Moslems on Polish soil, World Art Studies, 2011 / Tom 5, s. 17 - 19
BIBTEX@Article{ authors = " Tomasz Miśkiewicz", title = "About Tatars and Moslems on Polish soil", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "17 - 19" }
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Jand city in Kazakhstan and its Caravanserais. 23 - 40CZYSTY TEKST
Bekir Deniz, Jand city in Kazakhstan and its Caravanserai, World Art Studies, 2011 / Tom 5, s. 23 - 40
BIBTEX@Article{ authors = " Bekir Deniz", title = "Jand city in Kazakhstan and its Caravanserai", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "23 - 40" }
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The Karakhanid Era in the context of the formation of Islamic art in Maverannahrs. 41 - 48CZYSTY TEKST
Elmira Gyul, The Karakhanid Era in the context of the formation of Islamic art in Maverannahr, World Art Studies, 2011 / Tom 5, s. 41 - 48
BIBTEX@Article{ authors = " Elmira Gyul", title = "The Karakhanid Era in the context of the formation of Islamic art in Maverannahr", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "41 - 48" }
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The Spanish-Muslim tradition in monuments of court architecture of Christian Spain in the 14th centurys. 49 - 58CZYSTY TEKST
Ekaterina Kiryushkina, The Spanish-Muslim tradition in monuments of court architecture of Christian Spain in the 14th century, World Art Studies, 2011 / Tom 5, s. 49 - 58
BIBTEX@Article{ authors = " Ekaterina Kiryushkina", title = "The Spanish-Muslim tradition in monuments of court architecture of Christian Spain in the 14th century", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "49 - 58" }
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An Ottoman castle in the Balkans : Szigetvárs. 59 - 66CZYSTY TEKST
Fatih Elcil, An Ottoman castle in the Balkans : Szigetvár, World Art Studies, 2011 / Tom 5, s. 59 - 66
BIBTEX@Article{ authors = " Fatih Elcil", title = "An Ottoman castle in the Balkans : Szigetvár", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "59 - 66" }
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An interpretation of Sinan's Sehzade complex in Istanbuls. 67 - 74CZYSTY TEKST
Mehmet Kerem Özel, An interpretation of Sinan's Sehzade complex in Istanbul, World Art Studies, 2011 / Tom 5, s. 67 - 74
BIBTEX@Article{ authors = " Mehmet Kerem Özel", title = "An interpretation of Sinan's Sehzade complex in Istanbul", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "67 - 74" }
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Building and builder : constructions under Sokollu Mustafa Pasha's reign in medieval Budas. 75 - 83CZYSTY TEKST
Adrienn Papp, Building and builder : constructions under Sokollu Mustafa Pasha's reign in medieval Buda, World Art Studies, 2011 / Tom 5, s. 75 - 83
BIBTEX@Article{ authors = " Adrienn Papp", title = "Building and builder : constructions under Sokollu Mustafa Pasha's reign in medieval Buda", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "75 - 83" }
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Peculiar properties of the Safavid faience decoration in two Isfahan royal mosquess. 84 - 92CZYSTY TEKST
Tatyana Starodub, Peculiar properties of the Safavid faience decoration in two Isfahan royal mosques, World Art Studies, 2011 / Tom 5, s. 84 - 92
BIBTEX@Article{ authors = " Tatyana Starodub", title = "Peculiar properties of the Safavid faience decoration in two Isfahan royal mosques", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "84 - 92" }
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The image of Safavid garden palaces in European travel accountss. 93 - 102CZYSTY TEKST
Mohammad Gharipour, The image of Safavid garden palaces in European travel accounts, World Art Studies, 2011 / Tom 5, s. 93 - 102
BIBTEX@Article{ authors = " Mohammad Gharipour", title = "The image of Safavid garden palaces in European travel accounts", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "93 - 102" }
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Tendencies in contemporary mosque architecture of Turkeys. 103 - 114CZYSTY TEKST
Kayahan Türkantoz, Tendencies in contemporary mosque architecture of Turkey, World Art Studies, 2011 / Tom 5, s. 103 - 114
BIBTEX@Article{ authors = " Kayahan Türkantoz", title = "Tendencies in contemporary mosque architecture of Turkey", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "103 - 114" }
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Al-Faisaliah Tower : the first skyscraper in Saudi Arabias. 115 - 131CZYSTY TEKST
Imad Otahbachi, Al-Faisaliah Tower : the first skyscraper in Saudi Arabia, World Art Studies, 2011 / Tom 5, s. 115 - 131
BIBTEX@Article{ authors = " Imad Otahbachi", title = "Al-Faisaliah Tower : the first skyscraper in Saudi Arabia", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "115 - 131" }
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A copy of a panegyric biography of Timur, the Zafar-Nama of 935 H, with pictures attributed to Bihzads. 135 - 150CZYSTY TEKST
Giti Norouzian, A copy of a panegyric biography of Timur, the Zafar-Nama of 935 H, with pictures attributed to Bihzad, World Art Studies, 2011 / Tom 5, s. 135 - 150
BIBTEX@Article{ authors = " Giti Norouzian", title = "A copy of a panegyric biography of Timur, the Zafar-Nama of 935 H, with pictures attributed to Bihzad", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "135 - 150" }
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The aesthetic ideal in the miniatures of the Ali-Shir Nava'i periods. 151 - 156CZYSTY TEKST
Shakhina B. Ibrakhimova, The aesthetic ideal in the miniatures of the Ali-Shir Nava'i period, World Art Studies, 2011 / Tom 5, s. 151 - 156
BIBTEX@Article{ authors = " Shakhina B. Ibrakhimova", title = "The aesthetic ideal in the miniatures of the Ali-Shir Nava'i period", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "151 - 156" }
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Persian illuminated scientific manuscripts from the National Centre of Manuscripts in Tbilisis. 157 - 162CZYSTY TEKST
Tamar Abuladze, Persian illuminated scientific manuscripts from the National Centre of Manuscripts in Tbilisi, World Art Studies, 2011 / Tom 5, s. 157 - 162
BIBTEX@Article{ authors = " Tamar Abuladze", title = "Persian illuminated scientific manuscripts from the National Centre of Manuscripts in Tbilisi", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "157 - 162" }
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Image without images : visualization in Islamic epigraphys. 163 - 172CZYSTY TEKST
Daniel Redlinger, Image without images : visualization in Islamic epigraphy, World Art Studies, 2011 / Tom 5, s. 163 - 172
BIBTEX@Article{ authors = " Daniel Redlinger", title = "Image without images : visualization in Islamic epigraphy", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "163 - 172" }
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Muslim epigraphy (tombs with inscriptions) as a phenomenon within the fine arts and architecture : (based on the Caucasus, Crimea and Volga-Ural Regions' materials)s. 173 - 185CZYSTY TEKST
Swietłana M. Czerwonnaja, Muslim epigraphy (tombs with inscriptions) as a phenomenon within the fine arts and architecture : (based on the Caucasus, Crimea and Volga-Ural Regions' materials), World Art Studies, 2011 / Tom 5, s. 173 - 185
BIBTEX@Article{ authors = " Swietłana M. Czerwonnaja", title = "Muslim epigraphy (tombs with inscriptions) as a phenomenon within the fine arts and architecture : (based on the Caucasus, Crimea and Volga-Ural Regions' materials)", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "173 - 185" }
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Metal mounts on ivories of Islamic Spains. 189 - 198CZYSTY TEKST
Catia Viegas Wesolowska, Metal mounts on ivories of Islamic Spain, World Art Studies, 2011 / Tom 5, s. 189 - 198
BIBTEX@Article{ authors = " Catia Viegas Wesolowska", title = "Metal mounts on ivories of Islamic Spain", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "189 - 198" }
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Basic purposes of Crimean Tatar ornamental art in the context of Islamic symbolisms. 199 - 206CZYSTY TEKST
Nuriya Akchurina-Muftieva, Basic purposes of Crimean Tatar ornamental art in the context of Islamic symbolism, World Art Studies, 2011 / Tom 5, s. 199 - 206
BIBTEX@Article{ authors = " Nuriya Akchurina-Muftieva", title = "Basic purposes of Crimean Tatar ornamental art in the context of Islamic symbolism", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "199 - 206" }
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Decor of the mosques of the Golden Horde towns of the northeastern Black Sea region : (on the basis of archaeological data)s. 207 - 214CZYSTY TEKST
Sergey Bocharov, Andrey Maslovsky, Decor of the mosques of the Golden Horde towns of the northeastern Black Sea region : (on the basis of archaeological data), World Art Studies, 2011 / Tom 5, s. 207 - 214
BIBTEX@Article{ authors = " Sergey Bocharov, Andrey Maslovsky", title = "Decor of the mosques of the Golden Horde towns of the northeastern Black Sea region : (on the basis of archaeological data)", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "207 - 214" }
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Art ceramics of the Islamic world in Ukrainian lands (13th-18th centuries)s. 215 - 222CZYSTY TEKST
Svitlana Bilyayeva, Olena Fialko, Art ceramics of the Islamic world in Ukrainian lands (13th-18th centuries), World Art Studies, 2011 / Tom 5, s. 215 - 222
BIBTEX@Article{ authors = " Svitlana Bilyayeva, Olena Fialko", title = "Art ceramics of the Islamic world in Ukrainian lands (13th-18th centuries)", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "215 - 222" }
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Turkish ceramics recovered during the archaeological excavations on the Castle Hill of Budas. 223 - 234CZYSTY TEKST
Anikó Tóth, Turkish ceramics recovered during the archaeological excavations on the Castle Hill of Buda, World Art Studies, 2011 / Tom 5, s. 223 - 234
BIBTEX@Article{ authors = " Anikó Tóth", title = "Turkish ceramics recovered during the archaeological excavations on the Castle Hill of Buda", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "223 - 234" }
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The connection between the tile decoration of the 16th and 17th centuries in Istanbul with the tile fragments found in Iznik excavationss. 235 - 245CZYSTY TEKST
Hatice Adigüzel, Belgin Demirsar Arli, The connection between the tile decoration of the 16th and 17th centuries in Istanbul with the tile fragments found in Iznik excavations, World Art Studies, 2011 / Tom 5, s. 235 - 245
BIBTEX@Article{ authors = " Hatice Adigüzel, Belgin Demirsar Arli", title = "The connection between the tile decoration of the 16th and 17th centuries in Istanbul with the tile fragments found in Iznik excavations", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "235 - 245" }
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How to obtain a Persian rug in 17th-century Hungary?s. 246 - 252CZYSTY TEKST
Iván Szántó, How to obtain a Persian rug in 17th-century Hungary?, World Art Studies, 2011 / Tom 5, s. 246 - 252
BIBTEX@Article{ authors = " Iván Szántó", title = "How to obtain a Persian rug in 17th-century Hungary?", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "246 - 252" }
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Artistic and technical features of Azerbaijan's 'kalagai' silk scarvess. 253 - 261CZYSTY TEKST
Valide Pashayeva, Artistic and technical features of Azerbaijan's 'kalagai' silk scarves, World Art Studies, 2011 / Tom 5, s. 253 - 261
BIBTEX@Article{ authors = " Valide Pashayeva", title = "Artistic and technical features of Azerbaijan's 'kalagai' silk scarves", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "253 - 261" }
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Reflections upon Sufi influences within the artistic expression, and in the manuscript documents, of the Belarusian, the Lithuanian and the Polish Tatarss. 265 - 270CZYSTY TEKST
Harry Norris, Reflections upon Sufi influences within the artistic expression, and in the manuscript documents, of the Belarusian, the Lithuanian and the Polish Tatars, World Art Studies, 2011 / Tom 5, s. 265 - 270
BIBTEX@Article{ authors = " Harry Norris", title = "Reflections upon Sufi influences within the artistic expression, and in the manuscript documents, of the Belarusian, the Lithuanian and the Polish Tatars", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "265 - 270" }
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Decoration in the culture of the Polish-Lithuanian Tatars : a preliminary studys. 271 - 282CZYSTY TEKST
Andrzej Drozd, Decoration in the culture of the Polish-Lithuanian Tatars : a preliminary study, World Art Studies, 2011 / Tom 5, s. 271 - 282
BIBTEX@Article{ authors = " Andrzej Drozd", title = "Decoration in the culture of the Polish-Lithuanian Tatars : a preliminary study", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "271 - 282" }
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Tatar monuments in the collection of the Historical Museum in Białystoks. 283 - 290CZYSTY TEKST
Lucyna Lesisz, Karolina Radłowska, Tatar monuments in the collection of the Historical Museum in Białystok, World Art Studies, 2011 / Tom 5, s. 283 - 290
BIBTEX@Article{ authors = " Lucyna Lesisz, Karolina Radłowska", title = "Tatar monuments in the collection of the Historical Museum in Białystok", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "283 - 290" }
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The Muslim Tatar cultural legacy in its German-Polish contexts. 291 - 305CZYSTY TEKST
Mieste Hotopp-Riecke, The Muslim Tatar cultural legacy in its German-Polish context, World Art Studies, 2011 / Tom 5, s. 291 - 305
BIBTEX@Article{ authors = " Mieste Hotopp-Riecke", title = "The Muslim Tatar cultural legacy in its German-Polish context", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "291 - 305" }
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Islamic art in Ukrainian lands (13th-18th centuries)s. 309 - 316CZYSTY TEKST
Svitlana Bilyayeva, Islamic art in Ukrainian lands (13th-18th centuries), World Art Studies, 2011 / Tom 5, s. 309 - 316
BIBTEX@Article{ authors = " Svitlana Bilyayeva", title = "Islamic art in Ukrainian lands (13th-18th centuries)", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "309 - 316" }
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Armenians in Poland : a foreign culture incorporateds. 317 - 336CZYSTY TEKST
Zdzisław Żygulski Jr., Armenians in Poland : a foreign culture incorporated, World Art Studies, 2011 / Tom 5, s. 317 - 336
BIBTEX@Article{ authors = " Zdzisław Żygulski Jr.", title = "Armenians in Poland : a foreign culture incorporated", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "317 - 336" }
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The 18th-century Polish silk sash and its Oriental prototypess. 337 - 346CZYSTY TEKST
Janina Poskrobko-Strzęciwilk, The 18th-century Polish silk sash and its Oriental prototypes, World Art Studies, 2011 / Tom 5, s. 337 - 346
BIBTEX@Article{ authors = " Janina Poskrobko-Strzęciwilk", title = "The 18th-century Polish silk sash and its Oriental prototypes", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "337 - 346" }
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A meeting of two painters from West and East : Stanisław Chlebowski's and Osman Hamdi Bey's paintings of the Green Mosques. 347 - 356CZYSTY TEKST
Elvan Topalli, A meeting of two painters from West and East : Stanisław Chlebowski's and Osman Hamdi Bey's paintings of the Green Mosque, World Art Studies, 2011 / Tom 5, s. 347 - 356
BIBTEX@Article{ authors = " Elvan Topalli", title = "A meeting of two painters from West and East : Stanisław Chlebowski's and Osman Hamdi Bey's paintings of the Green Mosque", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "347 - 356" }
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Neo-Islamic architecture in Central and Eastern Europes. 357 - 367CZYSTY TEKST
Tarek El-Akkad, Neo-Islamic architecture in Central and Eastern Europe, World Art Studies, 2011 / Tom 5, s. 357 - 367
BIBTEX@Article{ authors = " Tarek El-Akkad", title = "Neo-Islamic architecture in Central and Eastern Europe", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "357 - 367" }
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A new approach to Islamic art : the collecting of Eastern carpets in Poland at the beginning of the 20th centurys. 371 - 384CZYSTY TEKST
Agnieszka Kluczewska-Wójcik, A new approach to Islamic art : the collecting of Eastern carpets in Poland at the beginning of the 20th century, World Art Studies, 2011 / Tom 5, s. 371 - 384
BIBTEX@Article{ authors = " Agnieszka Kluczewska-Wójcik", title = "A new approach to Islamic art : the collecting of Eastern carpets in Poland at the beginning of the 20th century", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "371 - 384" }
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Islamic art from Czech collections (with an accent on Iznik pottery)s. 385 - 390CZYSTY TEKST
Hana Nováková, Islamic art from Czech collections (with an accent on Iznik pottery), World Art Studies, 2011 / Tom 5, s. 385 - 390
BIBTEX@Article{ authors = " Hana Nováková", title = "Islamic art from Czech collections (with an accent on Iznik pottery)", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "385 - 390" }
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Ottoman-Turkish and Iranian textiles in the collection of the Museum of Applied Arts in Budapests. 391 - 400CZYSTY TEKST
Emese Pásztor, Ottoman-Turkish and Iranian textiles in the collection of the Museum of Applied Arts in Budapest, World Art Studies, 2011 / Tom 5, s. 391 - 400
BIBTEX@Article{ authors = " Emese Pásztor", title = "Ottoman-Turkish and Iranian textiles in the collection of the Museum of Applied Arts in Budapest", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "391 - 400" }
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Miniatures from Persian manuscripts : the history of Polish collectionss. 401 - 413CZYSTY TEKST
Magdalena Ginter-Frołow, Miniatures from Persian manuscripts : the history of Polish collections, World Art Studies, 2011 / Tom 5, s. 401 - 413
BIBTEX@Article{ authors = " Magdalena Ginter-Frołow", title = "Miniatures from Persian manuscripts : the history of Polish collections", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "401 - 413" }
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Scissors for Islamic calligraphy as an example of collecting artifacts from other cultures for their exotic origins. 414 - 423CZYSTY TEKST
Małgorzata Martini, Scissors for Islamic calligraphy as an example of collecting artifacts from other cultures for their exotic origin, World Art Studies, 2011 / Tom 5, s. 414 - 423
BIBTEX@Article{ authors = " Małgorzata Martini", title = "Scissors for Islamic calligraphy as an example of collecting artifacts from other cultures for their exotic origin", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "414 - 423" }
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The art of book printing in Arabic type in the Volga-Ural region during the late 19th and early 20th centuriess. 427 - 437CZYSTY TEKST
Mars Akhmadullin, The art of book printing in Arabic type in the Volga-Ural region during the late 19th and early 20th centuries, World Art Studies, 2011 / Tom 5, s. 427 - 437
BIBTEX@Article{ authors = " Mars Akhmadullin", title = "The art of book printing in Arabic type in the Volga-Ural region during the late 19th and early 20th centuries", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "427 - 437" }
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Caricature in Turkic public life under the Russian Empires. 438 - 448CZYSTY TEKST
Fuad Pepinov, Caricature in Turkic public life under the Russian Empire, World Art Studies, 2011 / Tom 5, s. 438 - 448
BIBTEX@Article{ authors = " Fuad Pepinov", title = "Caricature in Turkic public life under the Russian Empire", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "438 - 448" }
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Islam and fine arts of the 1920s in Soviet Russias. 449 - 458CZYSTY TEKST
Olga Ulemnova, Islam and fine arts of the 1920s in Soviet Russia, World Art Studies, 2011 / Tom 5, s. 449 - 458
BIBTEX@Article{ authors = " Olga Ulemnova", title = "Islam and fine arts of the 1920s in Soviet Russia", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "449 - 458" }
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Islamic aesthetics and scenography of the Tatar theatres. 459 - 466CZYSTY TEKST
Rauza Sultanova, Islamic aesthetics and scenography of the Tatar theatre, World Art Studies, 2011 / Tom 5, s. 459 - 466
BIBTEX@Article{ authors = " Rauza Sultanova", title = "Islamic aesthetics and scenography of the Tatar theatre", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "459 - 466" }
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The figurative system of Islam in Tatar sculptures. 467 - 474CZYSTY TEKST
Dina Khisamova, The figurative system of Islam in Tatar sculpture, World Art Studies, 2011 / Tom 5, s. 467 - 474
BIBTEX@Article{ authors = " Dina Khisamova", title = "The figurative system of Islam in Tatar sculpture", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "467 - 474" }
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What is self? Samples of contemporary Iranian photographic self-portraitss. 475 - 483CZYSTY TEKST
Hamid Severi, What is self? Samples of contemporary Iranian photographic self-portraits, World Art Studies, 2011 / Tom 5, s. 475 - 483
BIBTEX@Article{ authors = " Hamid Severi", title = "What is self? Samples of contemporary Iranian photographic self-portraits", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "475 - 483" }
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"Stepsons of the Urals" : the Turkic-Finnish incorporation in the culture of the Bessermanss. 487 - 491CZYSTY TEKST
Vladimir Koshaev, "Stepsons of the Urals" : the Turkic-Finnish incorporation in the culture of the Bessermans, World Art Studies, 2011 / Tom 5, s. 487 - 491
BIBTEX@Article{ authors = " Vladimir Koshaev", title = ""Stepsons of the Urals" : the Turkic-Finnish incorporation in the culture of the Bessermans", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "487 - 491" }
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Architecture and other Islamic arts, particularly in Malaysia : unity in diversitys. 492 - 498CZYSTY TEKST
Othman Yatim, Architecture and other Islamic arts, particularly in Malaysia : unity in diversity, World Art Studies, 2011 / Tom 5, s. 492 - 498
BIBTEX@Article{ authors = " Othman Yatim", title = "Architecture and other Islamic arts, particularly in Malaysia : unity in diversity", journal = "World Art Studies", issue = "2011 / Tom 5", pages = "492 - 498" }