TYTUŁ

Series Byzantina

Udostępnij

WYDAWCA Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego w Warszawie

ISSN 1733-5787

LICZBA WOLUMINÓW 15

2014 / Tom 12 Wybierz inny

TYTUŁ ARTYKUŁU STRONY AUTORZY CZYNNOŚCI

Introduction

s. 7 - 10

Waldemar Deluga

CZYSTY TEKST
Waldemar Deluga, Introduction, Series Byzantina, 2014 / Tom 12, s. 7 - 10

BIBTEX
@Article{ authors = " Waldemar Deluga", title = "Introduction", journal = "Series Byzantina", issue = "2014 / Tom 12", pages = "7 - 10" }
Eschatological elements in the schemes of paintings of high iconostases

s. 11 - 21

Agnieszka Gronek Małgorzata Strona

CZYSTY TEKST
Agnieszka Gronek, Małgorzata Strona, Eschatological elements in the schemes of paintings of high iconostases, Series Byzantina, 2014 / Tom 12, s. 11 - 21

BIBTEX
@Article{ authors = " Agnieszka Gronek, Małgorzata Strona", title = "Eschatological elements in the schemes of paintings of high iconostases", journal = "Series Byzantina", issue = "2014 / Tom 12", pages = "11 - 21" }
Saint George : artistic and stylistic peculiarities of Galician icons in the 14th-16th centuries

s. 23 - 34

Natalia Horal' Natalia Kolpakova

CZYSTY TEKST
Natalia Horal', Natalia Kolpakova, Saint George : artistic and stylistic peculiarities of Galician icons in the 14th-16th centuries, Series Byzantina, 2014 / Tom 12, s. 23 - 34

BIBTEX
@Article{ authors = " Natalia Horal', Natalia Kolpakova", title = "Saint George : artistic and stylistic peculiarities of Galician icons in the 14th-16th centuries", journal = "Series Byzantina", issue = "2014 / Tom 12", pages = "23 - 34" }
L'église de Treskavac et ses peintures murales et liens avec l"École" de Kastoria à la fin du XVème siècle

s. 35 - 54

Rémi Terryn

CZYSTY TEKST
Rémi Terryn, L'église de Treskavac et ses peintures murales et liens avec l"École" de Kastoria à la fin du XVème siècle, Series Byzantina, 2014 / Tom 12, s. 35 - 54

BIBTEX
@Article{ authors = " Rémi Terryn", title = "L'église de Treskavac et ses peintures murales et liens avec l"École" de Kastoria à la fin du XVème siècle", journal = "Series Byzantina", issue = "2014 / Tom 12", pages = "35 - 54" }
Human - Absolute - Painting : golden apses in Byzantine art and in Venetian painting of Renaissance

s. 55 - 73

Ika Matyjaszkiewicz

CZYSTY TEKST
Ika Matyjaszkiewicz, Human - Absolute - Painting : golden apses in Byzantine art and in Venetian painting of Renaissance, Series Byzantina, 2014 / Tom 12, s. 55 - 73

BIBTEX
@Article{ authors = " Ika Matyjaszkiewicz", title = "Human - Absolute - Painting : golden apses in Byzantine art and in Venetian painting of Renaissance", journal = "Series Byzantina", issue = "2014 / Tom 12", pages = "55 - 73" }
Between Candia and Venice : the role of European engravings in the iconographic transformations of post-Byzantine painting in Greece

s. 75 - 109

Waldemar Deluga

CZYSTY TEKST
Waldemar Deluga, Between Candia and Venice : the role of European engravings in the iconographic transformations of post-Byzantine painting in Greece, Series Byzantina, 2014 / Tom 12, s. 75 - 109

BIBTEX
@Article{ authors = " Waldemar Deluga", title = "Between Candia and Venice : the role of European engravings in the iconographic transformations of post-Byzantine painting in Greece", journal = "Series Byzantina", issue = "2014 / Tom 12", pages = "75 - 109" }