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The Beginnings of Musical Italianità in Gdańsk and Elbląg of the Renaissance Eras. 1 - 11CZYSTY TEKST
Agnieszka Leszczyńska, The Beginnings of Musical Italianità in Gdańsk and Elbląg of the Renaissance Era, Musicology Today, 2013 / Tom 10, s. 1 - 11
BIBTEX@Article{ authors = " Agnieszka Leszczyńska", title = "The Beginnings of Musical Italianità in Gdańsk and Elbląg of the Renaissance Era", journal = "Musicology Today", issue = "2013 / Tom 10", pages = "1 - 11" }
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CZYSTY TEKST
Paweł Gancarczyk, Polyphonic Music in Fragments : a New Perspective for Polish Musicology?, Musicology Today, 2013 / Tom 10, s. 12 - 18
BIBTEX@Article{ authors = " Paweł Gancarczyk", title = "Polyphonic Music in Fragments : a New Perspective for Polish Musicology?", journal = "Musicology Today", issue = "2013 / Tom 10", pages = "12 - 18" }
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The Musical Repertory between the Confessions : Re-Catholicising Strategies in the Songbook of Johannes Schubart from Neisse (1625)s. 19 - 36CZYSTY TEKST
Tomasz Jeż, The Musical Repertory between the Confessions : Re-Catholicising Strategies in the Songbook of Johannes Schubart from Neisse (1625) , Musicology Today, 2013 / Tom 10, s. 19 - 36
BIBTEX@Article{ authors = " Tomasz Jeż", title = "The Musical Repertory between the Confessions : Re-Catholicising Strategies in the Songbook of Johannes Schubart from Neisse (1625) ", journal = "Musicology Today", issue = "2013 / Tom 10", pages = "19 - 36" }
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Research into the Resources of Polish Courts : Notes on the Musicians of Stanisław Ciołek Poniatowski (1676–1762)s. 37 - 44CZYSTY TEKST
Irena Bieńkowska, Research into the Resources of Polish Courts : Notes on the Musicians of Stanisław Ciołek Poniatowski (1676–1762), Musicology Today, 2013 / Tom 10, s. 37 - 44
BIBTEX@Article{ authors = " Irena Bieńkowska", title = "Research into the Resources of Polish Courts : Notes on the Musicians of Stanisław Ciołek Poniatowski (1676–1762)", journal = "Musicology Today", issue = "2013 / Tom 10", pages = "37 - 44" }
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<Alla Maestà Clementina Regina Della Gran Bretagna> : the Political Significance of Dedications on the Example of Selected Operas Staged in the Teatro d’Alibert in Rome (1720-1730)s. 45 - 52CZYSTY TEKST
Aneta Markuszewska, <Alla Maestà Clementina Regina Della Gran Bretagna> : the Political Significance of Dedications on the Example of Selected Operas Staged in the Teatro d’Alibert in Rome (1720-1730) , Musicology Today, 2013 / Tom 10, s. 45 - 52
BIBTEX@Article{ authors = " Aneta Markuszewska", title = "<Alla Maestà Clementina Regina Della Gran Bretagna> : the Political Significance of Dedications on the Example of Selected Operas Staged in the Teatro d’Alibert in Rome (1720-1730) ", journal = "Musicology Today", issue = "2013 / Tom 10", pages = "45 - 52" }
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A Collection of Music for Keyboard Instrument from Manuscript L 1668 (Book of Jadwiga Dygulska) of Sandomierz Diocese Librarys. 53 - 71CZYSTY TEKST
Jakub Dmeński, Magdalena Walter-Mazur, A Collection of Music for Keyboard Instrument from Manuscript L 1668 (Book of Jadwiga Dygulska) of Sandomierz Diocese Library, Musicology Today, 2013 / Tom 10, s. 53 - 71
BIBTEX@Article{ authors = " Jakub Dmeński, Magdalena Walter-Mazur", title = "A Collection of Music for Keyboard Instrument from Manuscript L 1668 (Book of Jadwiga Dygulska) of Sandomierz Diocese Library", journal = "Musicology Today", issue = "2013 / Tom 10", pages = "53 - 71" }
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Some Remarks on the Formation of the Classical Style : Instrumental Music by Amandus Ivanschizs. 72 - 78CZYSTY TEKST
Maciej Jochymczyk, Some Remarks on the Formation of the Classical Style : Instrumental Music by Amandus Ivanschiz, Musicology Today, 2013 / Tom 10, s. 72 - 78
BIBTEX@Article{ authors = " Maciej Jochymczyk", title = "Some Remarks on the Formation of the Classical Style : Instrumental Music by Amandus Ivanschiz", journal = "Musicology Today", issue = "2013 / Tom 10", pages = "72 - 78" }
