TYTUŁ
Multicultural Shakespeare 2016 / Tom 13
2016 / Tom 13
Wybierz inny 
TYTUŁ ARTYKUŁU
STRONY
CZYNNOŚCI
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Introduction : Re-writing and Translating Shakespeare’s Originality in a Global Cultures. 7 - 10CZYSTY TEKSTBIBTEX
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The Really Real, Authentic, Original Shakespeares. 11 - 23CZYSTY TEKSTBIBTEX
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Shakespeare and National Mythologizing in Czech Nineteenth Century Dramas. 25 - 33CZYSTY TEKSTBIBTEX
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National Poets, the Status of the Epic and the Strange Case of Master William Shakespeares. 35 - 50CZYSTY TEKSTBIBTEX
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Economic Nationalism in Haughton’s Englishmen for My Money and Shakespeare’s The Merchant of Venices. 51 - 67CZYSTY TEKSTBIBTEX
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Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japans. 69 - 85CZYSTY TEKSTBIBTEX
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“All’s Well that Ends Welles” : Orson Welles and the “Voodoo” Macbeths. 87 - 103CZYSTY TEKSTBIBTEX
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The Moor for the Malayali Masses : a Study of Othello in Kathaprasangams. 105 - 116CZYSTY TEKSTBIBTEX
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Shakespeare, Macbeth and the Hindu Nationalism of Nineteenth-Century Bengals. 117 - 129CZYSTY TEKSTBIBTEX
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"Tragic Cognition in Shakespeare’s Othello: Beyond the Neural Sublime", Paul Cefalu, London-New York 2015 : [recenzja]s. 131 - 136CZYSTY TEKSTBIBTEX
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"Shakespeare’s Universality. Here’s Fine Revolution. Bloomsbury Arden Shakespeare", Kiernan Ryan, London-New York 2015 : [recenzja]s. 137 - 139CZYSTY TEKSTBIBTEX
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"Please Continue (Hamlet)", Dir. Yan Duyvendak and Roger Bernat, New Classics of Europe Festival, Stefan Jaracz Theatre, Łódź, Polands. 141 - 144CZYSTY TEKSTBIBTEX
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"Macbeth. The Bible of Darkness", Dir. Theodore's Espiritou, Black Box, Michael Cacoyannis Foundation, Athens, Greeces. 145 - 148CZYSTY TEKSTBIBTEX
