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Introduction : Re-writing and Translating Shakespeare’s Originality in a Global Cultures. 7 - 10CZYSTY TEKST
José Manuel González, Introduction : Re-writing and Translating Shakespeare’s Originality in a Global Culture, Multicultural Shakespeare, 2016 / Tom 13, s. 7 - 10
BIBTEX@Article{ authors = " José Manuel González", title = "Introduction : Re-writing and Translating Shakespeare’s Originality in a Global Culture", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "7 - 10" }
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The Really Real, Authentic, Original Shakespeares. 11 - 23CZYSTY TEKST
Marcela Kostihova, The Really Real, Authentic, Original Shakespeare, Multicultural Shakespeare, 2016 / Tom 13, s. 11 - 23
BIBTEX@Article{ authors = " Marcela Kostihova", title = "The Really Real, Authentic, Original Shakespeare", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "11 - 23" }
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Shakespeare and National Mythologizing in Czech Nineteenth Century Dramas. 25 - 33CZYSTY TEKST
Martin Procházka, Shakespeare and National Mythologizing in Czech Nineteenth Century Drama, Multicultural Shakespeare, 2016 / Tom 13, s. 25 - 33
BIBTEX@Article{ authors = " Martin Procházka", title = "Shakespeare and National Mythologizing in Czech Nineteenth Century Drama", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "25 - 33" }
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National Poets, the Status of the Epic and the Strange Case of Master William Shakespeares. 35 - 50CZYSTY TEKST
Paul Innes, National Poets, the Status of the Epic and the Strange Case of Master William Shakespeare, Multicultural Shakespeare, 2016 / Tom 13, s. 35 - 50
BIBTEX@Article{ authors = " Paul Innes", title = "National Poets, the Status of the Epic and the Strange Case of Master William Shakespeare", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "35 - 50" }
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Economic Nationalism in Haughton’s Englishmen for My Money and Shakespeare’s The Merchant of Venices. 51 - 67CZYSTY TEKST
Jonathan Baldo, Economic Nationalism in Haughton’s Englishmen for My Money and Shakespeare’s The Merchant of Venice, Multicultural Shakespeare, 2016 / Tom 13, s. 51 - 67
BIBTEX@Article{ authors = " Jonathan Baldo", title = "Economic Nationalism in Haughton’s Englishmen for My Money and Shakespeare’s The Merchant of Venice", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "51 - 67" }
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Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japans. 69 - 85CZYSTY TEKST
Daniel Gallimore, Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japan, Multicultural Shakespeare, 2016 / Tom 13, s. 69 - 85
BIBTEX@Article{ authors = " Daniel Gallimore", title = "Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japan", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "69 - 85" }
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“All’s Well that Ends Welles” : Orson Welles and the “Voodoo” Macbeths. 87 - 103CZYSTY TEKST
Robert Sawyer, “All’s Well that Ends Welles” : Orson Welles and the “Voodoo” Macbeth, Multicultural Shakespeare, 2016 / Tom 13, s. 87 - 103
BIBTEX@Article{ authors = " Robert Sawyer", title = "“All’s Well that Ends Welles” : Orson Welles and the “Voodoo” Macbeth", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "87 - 103" }
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The Moor for the Malayali Masses : a Study of Othello in Kathaprasangams. 105 - 116CZYSTY TEKST
Sanju Thomas, The Moor for the Malayali Masses : a Study of Othello in Kathaprasangam, Multicultural Shakespeare, 2016 / Tom 13, s. 105 - 116
BIBTEX@Article{ authors = " Sanju Thomas", title = "The Moor for the Malayali Masses : a Study of Othello in Kathaprasangam", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "105 - 116" }
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Shakespeare, Macbeth and the Hindu Nationalism of Nineteenth-Century Bengals. 117 - 129CZYSTY TEKST
Abhishek Sarkar, Shakespeare, Macbeth and the Hindu Nationalism of Nineteenth-Century Bengal, Multicultural Shakespeare, 2016 / Tom 13, s. 117 - 129
BIBTEX@Article{ authors = " Abhishek Sarkar", title = "Shakespeare, Macbeth and the Hindu Nationalism of Nineteenth-Century Bengal", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "117 - 129" }
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"Tragic Cognition in Shakespeare’s Othello: Beyond the Neural Sublime", Paul Cefalu, London-New York 2015 : [recenzja]s. 131 - 136CZYSTY TEKST
Paul Cefalu, Baisali Hui, "Tragic Cognition in Shakespeare’s Othello: Beyond the Neural Sublime", Paul Cefalu, London-New York 2015 : [recenzja], Multicultural Shakespeare, 2016 / Tom 13, s. 131 - 136
BIBTEX@Article{ authors = " Paul Cefalu, Baisali Hui", title = ""Tragic Cognition in Shakespeare’s Othello: Beyond the Neural Sublime", Paul Cefalu, London-New York 2015 : [recenzja]", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "131 - 136" }
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"Shakespeare’s Universality. Here’s Fine Revolution. Bloomsbury Arden Shakespeare", Kiernan Ryan, London-New York 2015 : [recenzja]s. 137 - 139CZYSTY TEKST
Kiernan Ryan, Dhrubajyoti Sarkar, "Shakespeare’s Universality. Here’s Fine Revolution. Bloomsbury Arden Shakespeare", Kiernan Ryan, London-New York 2015 : [recenzja], Multicultural Shakespeare, 2016 / Tom 13, s. 137 - 139
BIBTEX@Article{ authors = " Kiernan Ryan, Dhrubajyoti Sarkar", title = ""Shakespeare’s Universality. Here’s Fine Revolution. Bloomsbury Arden Shakespeare", Kiernan Ryan, London-New York 2015 : [recenzja]", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "137 - 139" }
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"Please Continue (Hamlet)", Dir. Yan Duyvendak and Roger Bernat, New Classics of Europe Festival, Stefan Jaracz Theatre, Łódź, Polands. 141 - 144CZYSTY TEKST
Agnieszka Rasmus, "Please Continue (Hamlet)", Dir. Yan Duyvendak and Roger Bernat, New Classics of Europe Festival, Stefan Jaracz Theatre, Łódź, Poland, Multicultural Shakespeare, 2016 / Tom 13, s. 141 - 144
BIBTEX@Article{ authors = " Agnieszka Rasmus", title = ""Please Continue (Hamlet)", Dir. Yan Duyvendak and Roger Bernat, New Classics of Europe Festival, Stefan Jaracz Theatre, Łódź, Poland", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "141 - 144" }
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"Macbeth. The Bible of Darkness", Dir. Theodore's Espiritou, Black Box, Michael Cacoyannis Foundation, Athens, Greeces. 145 - 148CZYSTY TEKST
Xenia Georgopoulou, "Macbeth. The Bible of Darkness", Dir. Theodore's Espiritou, Black Box, Michael Cacoyannis Foundation, Athens, Greece, Multicultural Shakespeare, 2016 / Tom 13, s. 145 - 148
BIBTEX@Article{ authors = " Xenia Georgopoulou", title = ""Macbeth. The Bible of Darkness", Dir. Theodore's Espiritou, Black Box, Michael Cacoyannis Foundation, Athens, Greece", journal = "Multicultural Shakespeare", issue = "2016 / Tom 13", pages = "145 - 148" }
