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Multicultural Shakespeare
2016 / Tom 13
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Introduction : Re-writing and Translating Shakespeare’s Originality in a Global Culturep. 7 - 10Plain TextBIBTEX
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The Really Real, Authentic, Original Shakespearep. 11 - 23Plain TextBIBTEX
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Shakespeare and National Mythologizing in Czech Nineteenth Century Dramap. 25 - 33Plain TextBIBTEX
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National Poets, the Status of the Epic and the Strange Case of Master William Shakespearep. 35 - 50Plain TextBIBTEX
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Economic Nationalism in Haughton’s Englishmen for My Money and Shakespeare’s The Merchant of Venicep. 51 - 67Plain TextBIBTEX
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Tsubouchi Shōyō and the Beauty of Shakespeare Translation in 1900s Japanp. 69 - 85Plain TextBIBTEX
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“All’s Well that Ends Welles” : Orson Welles and the “Voodoo” Macbethp. 87 - 103Plain TextBIBTEX
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The Moor for the Malayali Masses : a Study of Othello in Kathaprasangamp. 105 - 116Plain TextBIBTEX
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Shakespeare, Macbeth and the Hindu Nationalism of Nineteenth-Century Bengalp. 117 - 129Plain TextBIBTEX
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"Tragic Cognition in Shakespeare’s Othello: Beyond the Neural Sublime", Paul Cefalu, London-New York 2015 : [recenzja]p. 131 - 136Plain TextBIBTEX
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"Shakespeare’s Universality. Here’s Fine Revolution. Bloomsbury Arden Shakespeare", Kiernan Ryan, London-New York 2015 : [recenzja]p. 137 - 139Plain TextBIBTEX
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"Please Continue (Hamlet)", Dir. Yan Duyvendak and Roger Bernat, New Classics of Europe Festival, Stefan Jaracz Theatre, Łódź, Polandp. 141 - 144Plain TextBIBTEX
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"Macbeth. The Bible of Darkness", Dir. Theodore's Espiritou, Black Box, Michael Cacoyannis Foundation, Athens, Greecep. 145 - 148Plain TextBIBTEX
