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Multicultural Shakespeare
2018 / Tom 18
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From the Editorp. 9 - 10Plain TextBIBTEX
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Interview with Bryan Reynoldsp. 11 - 21Plain TextBIBTEX
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Receptive Aesthetic Criteria : Reader Comparisons of Two Finnish Translations of "Hamlet"p. 23 - 42Plain TextBIBTEX
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Translation as Rewriting : Cultural Theoretical Appraisal of Shakespeare's "Macbeth" in the Ewe language of West Africap. 43 - 56Plain TextBIBTEX
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Shakespeare in Hawai'i : Puritansm Missionaries, and Language Trouble in James Grant Benton's "Twelf Nite O Wateva!", a Hawaiian Pidgin Translation of "Twelfth Night"p. 57 - 77Plain TextBIBTEX
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Hamlet Underground : Revisiting Shakespeare and Dostoevskyp. 79 - 92Plain TextBIBTEX
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Rosalind and "Śakundtalā" among the Ascetics : Reading Gender and Female Sexual Agency in a Bengali Adaptation of "As You Like It"p. 93 - 114Plain TextBIBTEX
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What bloody film in this? : "Macbeth" for our timep. 115 - 128Plain TextBIBTEX
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Shakespeare in Digital Games and Virtual Worldsp. 129 - 144Plain TextBIBTEX
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Decentering the Bard : The Localization of "King Lear" in Egyptian TV Drama "Dahsha"p. 145 - 160Plain TextBIBTEX
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"Shakespeare Forever! : Leven en Mythe : Werk en Erfenis", Ton Hoenselaars, Amsterdam 2017; "Shakespeare : Auteur voor Alle Seizoenen : Met een Terugblik op 50 Jaar Voorstellingen in de Lage Landen", Jo de Vos, Jürgen Pieters, Laurens de Vos, Tielt 2016 : [recenzja]p. 161 - 168Plain TextBIBTEX
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"The First Hebrew Shakespeare Translations : Isaac Edward Salkinson's Ithiel the Cushite of Venice and Ram and Jael : A Bilingual Edition and Commentary", Lily Kahn, London 2017 : [recenzja]p. 169 - 173Plain TextBIBTEX
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"Shakespeare's Asian Journeys : A Critical Encounters, Cultural Geographies, and the Politis of Travel", red. Bi-qi Beatrice Lei, Judy Celine Ick, Poonam Trivedi, New York 2017 : [recenzja]p. 174 - 175Plain TextBIBTEX
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"A History of Chinese Reception of Shakespeare 濑户宏, 中国のシェイクスピア", Hiroshi Seto, Osaka 2016; "Chinese translation 莎士比亚在中国：中国人的莎士比亚接受史", tłum. Linghong Chen, Guangzhou 2017 : [recenzja]p. 176 - 178Plain TextBIBTEX
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"A Floresta que Anda („The Moving Forest”)", dir. Christiane Jatahy, Teatro Nacional Dona Maria II, Lisbon Portugalp. 179 - 182Plain TextBIBTEX
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"Romeo and Juliet", dir. Jenny Sealey, Graeae Thetre Company, United Kingdom, in association with the National Theatre of Dhaka, Bangladeshp. 183 - 188Plain TextBIBTEX
