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Multicultural Shakespeare
2020 / Tom 21
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From the Editorp. 9 - 11Plain TextBIBTEX
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A Cognitive Approach to Shakespeare Plays in Immersive Theatre : With a Special Focus on Punchdrunk's "Sleep No More" in New York (2011-) and Shanghai (2016-)p. 13 - 26Plain TextBIBTEX
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Being European : "Hamlet" on the Isreali Stagep. 27 - 53Plain TextBIBTEX
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"When "Macbeth" Meets Chinese Opera : A Crossroad of Humanityp. 55 - 68Plain TextBIBTEX
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The Shifting Appreciation of "Hamlet" in Its Japanese Novelizations : Hideo Kobayashi's "Ophelia's Will" and Its Revisionp. 69 - 83Plain TextBIBTEX
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Arborea Tradition and Subversion : An Ecocritical reading of Shakespeare's Portrayal of Trees, Woods and Forestsp. 85 - 97Plain TextBIBTEX
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Dostoyevsky in English and Shakespearean University : A Cautionary Talep. 99 - 114Plain TextBIBTEX
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Leaving Readers and Writers in Peace : Translation of religioud Terms of Shakespeare's "Coriolanus" into Arabic Considering Venuti's Invisibilityp. 115 - 133Plain TextBIBTEX
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Designing Goddeses : Shakespeare's "Othello" and Marian Nowiński's "Otello Desdemona"p. 135 - 151Plain TextBIBTEX
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To "Hamlet" or Not to "Hamlet" : Notes on an Arts Secondary School Students' "Hamlet"p. 153 - 172Plain TextBIBTEX
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"Shakespeare Performances in Japan : Intercultural - Multicultural - Translingual", Emi Hamana, Yokohama 2019 : [recenzja]p. 173 - 177Plain TextBIBTEX
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"Popular Shakespeare in China : 1993-2008", Li Jun, Beijing 2016 : [recenzja]p. 178 - 182Plain TextBIBTEX
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"The Sonnets and A Lover's Complaint", tłum. Soji Iwasaki, Tokyo 2019 : [recenzja]p. 183 - 185Plain TextBIBTEX
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Some Shakespeare Productions on the Turkish Stage in 2017-2018 : A One-Man "Hamlet", an All-Wet "Romeo and Juliet", and on All-Male "Mary Wives of Windsor"p. 187 - 196Plain TextBIBTEX
