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Multicultural Shakespeare
2020 / Tom 22
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Introduction : Shakespeare, Blackface and Performance : A Global Perspectivep. 9 - 14Plain TextBIBTEX
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Black, White and Blue : Pregnancy and Unsettled Binaries in "The Masque of Blackness" (1605)p. 15 - 36Plain TextBIBTEX
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"Othello" - dor : Racialized Odor In and On "Othello"p. 37 - 49Plain TextBIBTEX
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Brown, Never Black : "Othello" on the Nazi Stagep. 51 - 65Plain TextBIBTEX
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"Othello" and the Ambivalences of Italian Blackfacep. 67 - 85Plain TextBIBTEX
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How Shoud You Perform and Watch "Othello" and "Hairspray" in a Country Where You Could Never Hire Black Actors? : Shakespeare and Casting in Japanp. 87 - 101Plain TextBIBTEX
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Interpreting "Othello" in the Arabian Gulf : Shakespeare in a Time of Blackface Controversiesp. 103 - 123Plain TextBIBTEX
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"Othello" in the Balkans : Performing Race Rhetoric on the Albanian Stagep. 125 - 138Plain TextBIBTEX
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"Far more fair than black" : Othellos on the Chilean Stagep. 139 - 170Plain TextBIBTEX
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The Moor's Political Colour : Race and "Othello" in Polandp. 171 - 190Plain TextBIBTEX
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"A Corpus-Based Study of the Chinese Translations of Shakespeare's Plays", Hu Kaibao, Shanghai 2015 : [recenzja]p. 191 - 196Plain TextBIBTEX
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"Series of Shakespeare Studies", Lingui Yang, Beijing 2020 : [recenzja]p. 197 - 201Plain TextBIBTEX
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"This is not Romeo & Juliet", dir. Argyris Pandazaras, Poreia Theatre, Athens, Greecep. 203 - 209Plain TextBIBTEX
