TYTUŁ
Multicultural Shakespeare
2020 / Tom 22
Wybierz inny 
TYTUŁ ARTYKUŁU
STRONY
CZYNNOŚCI
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Introduction : Shakespeare, Blackface and Performance : A Global Perspectives. 9 - 14CZYSTY TEKSTBIBTEX
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Black, White and Blue : Pregnancy and Unsettled Binaries in "The Masque of Blackness" (1605)s. 15 - 36CZYSTY TEKSTBIBTEX
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"Othello" - dor : Racialized Odor In and On "Othello"s. 37 - 49CZYSTY TEKSTBIBTEX
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Brown, Never Black : "Othello" on the Nazi Stages. 51 - 65CZYSTY TEKSTBIBTEX
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"Othello" and the Ambivalences of Italian Blackfaces. 67 - 85CZYSTY TEKSTBIBTEX
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How Shoud You Perform and Watch "Othello" and "Hairspray" in a Country Where You Could Never Hire Black Actors? : Shakespeare and Casting in Japans. 87 - 101CZYSTY TEKSTBIBTEX
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Interpreting "Othello" in the Arabian Gulf : Shakespeare in a Time of Blackface Controversiess. 103 - 123CZYSTY TEKSTBIBTEX
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"Othello" in the Balkans : Performing Race Rhetoric on the Albanian Stages. 125 - 138CZYSTY TEKSTBIBTEX
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"Far more fair than black" : Othellos on the Chilean Stages. 139 - 170CZYSTY TEKSTBIBTEX
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The Moor's Political Colour : Race and "Othello" in Polands. 171 - 190CZYSTY TEKSTBIBTEX
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"A Corpus-Based Study of the Chinese Translations of Shakespeare's Plays", Hu Kaibao, Shanghai 2015 : [recenzja]s. 191 - 196CZYSTY TEKSTBIBTEX
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"Series of Shakespeare Studies", Lingui Yang, Beijing 2020 : [recenzja]s. 197 - 201CZYSTY TEKSTBIBTEX
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"This is not Romeo & Juliet", dir. Argyris Pandazaras, Poreia Theatre, Athens, Greeces. 203 - 209CZYSTY TEKSTBIBTEX
