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Multicultural Shakespeare
2021 / Tom 23
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From the Editorp. 9 - 11Plain TextBIBTEX
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Pour-Character Idioms and the Rhetoric of Japanese Shakespeare Translationp. 13 - 41Plain TextBIBTEX
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The Domestication and Arabization of the Bard : Towards the Reception of Shakespeare in the Arab Worldp. 43 - 57Plain TextBIBTEX
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Performing «Calibanesque» Baptism : Shakespeare Fractals of British Indian Historyp. 59 - 74Plain TextBIBTEX
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From Social Justice to Metaphor : The Whitening of Othello in the Russian Imaginationp. 75 - 89Plain TextBIBTEX
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Crossing with «Jatra» : Bengali Folk-Theatre Elements in a Transcultural Representation of Lady Bacbethp. 91 - 108Plain TextBIBTEX
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The Shakespeare Brand in Contemporary "Fair Verona"p. 109 - 125Plain TextBIBTEX
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Individualization and Oedipalization in Reza Servati's Adaptation of William Shakespeare's "Macbeth" : An Expressionist Reworkingp. 127 - 142Plain TextBIBTEX
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"How can you say to me I am a king?" : New Historicism and its (Re)Interpretations of the Design of Kingly Figures in Shakespeare's History Playsp. 143 - 158Plain TextBIBTEX
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The Inverted Initiation Rituals in Skakespeare with a Special Emphasis on "Hamlet"p. 159 - 179Plain TextBIBTEX
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The Medievalism of Emotions in "King Lear"p. 181 - 196Plain TextBIBTEX
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The Readers of 17th Century English Manuscript Commonplace, Book "Hesperides, or the Muses Garden"p. 197 - 209Plain TextBIBTEX
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"Cowboy Hamlets and Zombie Romeos : Shakespeare in Genre Film", Kinga Földvary, Manchester 2020 : [recenzja]p. 211 - 213Plain TextBIBTEX
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"Shakespeare and East Asia", Alexa Alice Joubin, Oxford 2021 : [recenzja]p. 214 - 217Plain TextBIBTEX
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"Hamlet", Dir. Bartosz Szydłowski, Juliusz Słowacki Theatre, Kraków Polandp. 219 - 225Plain TextBIBTEX
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In-MeMoriaM <Dr. Vicente Forés López>p. 227 - 230Plain TextBIBTEX
