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Multicultural Shakespeare
2016 / Tom 14
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Introduction: Shakespeare in Modern Japanp. 7 - 12Plain TextBIBTEX
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Some Japanese Shakespeare Productions in 2014-15p. 13 - 28Plain TextBIBTEX
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Finding a Style for Presenting Shakespeare on the Japanese Stagep. 29 - 42Plain TextBIBTEX
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“I saw Othello’s visage in his mind”, or “White Mask, Black Handkerchif”: Satoshi Miyagi’s Mugen-Noh Othello and Translation Theoryp. 43 - 50Plain TextBIBTEX
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“Thou art translated”: Remapping Hideki Noda and Satoshi Miyagi’s A Midsummer Night’s Dream in Post-March 11 Japanp. 51 - 72Plain TextBIBTEX
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Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempestp. 73 - 85Plain TextBIBTEX
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Noh Creation of Shakespearep. 87 - 106Plain TextBIBTEX
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Toward “Reciprocal Legitimation” between Shakespeare’s Works and Mangap. 107 - 122Plain TextBIBTEX
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Hamlet and Japanese Men of Lettersp. 123 - 135Plain TextBIBTEX
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"Shakespeare Beyond English: A Global Experiment", Susan Bennett, Christie Carson, Cambridge 2013 : [recenzja]p. 137 - 142Plain TextBIBTEX
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"Shakespeare Forever: A Review of From Shakespeare to Sh(Web)speare", Łódź 2015: [recenzja]p. 142 - 144Plain TextBIBTEX
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"Hamlet, that Punk", Mary Maragoudaki : [recenzja]p. 145 - 148Plain TextBIBTEX
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"Julius Caesar", Giorgos Adamantiadis, Athens 2015 : [recenzja]p. 149 - 152Plain TextBIBTEX
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"The House of Mac-Beth. By Panagiotis Mentis", Kostis Kapelonis, Athens 2017 : [recenzja]p. 160 - 164Plain TextBIBTEX
