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Multicultural Shakespeare
2007 / Tom 4
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Acknowledgementsp. 5Plain TextBIBTEX
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Contributorsp. 7 - 9Plain TextBIBTEX
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Shakespeare and Europe: History – Performance – Memoryp. 11 - 15Plain TextBIBTEX
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Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sandsp. 17 - 27Plain TextBIBTEX
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Shakespeare at the Español: Franco and the Construction of a "National" Culturep. 29 - 36Plain TextBIBTEX
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Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)p. 37 - 49Plain TextBIBTEX
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History – Performance – Memory: Richard III and the Subversion of Theatre in Hungary, 1955p. 51 - 58Plain TextBIBTEX
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Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984)p. 59 - 65Plain TextBIBTEX
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Richard III in Russian Theatre at the Twilight of the "Thaw"p. 67 - 72Plain TextBIBTEX
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"Done Like a Frenchman": Henry VI, the Tyranny of the Audience and Spect-Actorial Adaptationsp. 73 - 87Plain TextBIBTEX
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Between Transgression and Institutionalization: Teatro Comuna’s Measure for Measurep. 89 - 98Plain TextBIBTEX
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"Romanian" Shakespeare on the New York Stage: Andrei Serban’s Hamletp. 99 - 108Plain TextBIBTEX
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"That Shakespearian Rome! Work in Progress..." An Experiment in Intermedial Criticismp. 109 - 112Plain TextBIBTEX
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"Shakespeare in the Undiscovered Bourn. Les' Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics", Irena R Makaryk, Toronto 2004 : [recenzja]p. 113 - 116Plain TextBIBTEX
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"Foreign Accents: Brazilian Readings of Shakespeare", ed. by Aimara da Cunha Resende, Newark and London 2002 : [recenzja]p. 116 - 122Plain TextBIBTEX
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"Gamlet: V Poiskakh Podlinnika", Uilyam Shekspir, Moscow 2003 : [recenzja]p. 123 - 125Plain TextBIBTEX
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EuroShakespace and the Witness-Function: Convergences of History, Memory, and Affective Presencep. 127 - 135Plain TextBIBTEX
