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Multicultural Shakespeare
2018 / Tom 17
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From the Editorp. 11 - 13Plain TextBIBTEX
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An Interview with W.B. Worthenp. 15 - 20Plain TextBIBTEX
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Shakespeare, Authority and Hauntology: Postdramatic Performance in Walny Theatre’s Hamletp. 21 - 34Plain TextBIBTEX
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Performing Shakespeare’s Words: Textual Authority in Light of the Theory of Indeterminacyp. 35 - 50Plain TextBIBTEX
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Whose Authority May I Ask? Polish, English, German, Shakespearean or Directorial? On the Boundaries Between Ethnicity, Nationality, Religion and Theatricality in Jan Klata’s Shakespearean Productionsp. 51 - 60Plain TextBIBTEX
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The Political Hamlet According to Jan Kott and Jerzy Grotowskip. 61 - 68Plain TextBIBTEX
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Grzegorz Wiśniewski’s Production of Richard III in Teatr Jaracza in Łódź—Textual Authority, the “Director's Cut”, and Theatre Statusp. 69 - 80Plain TextBIBTEX
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Shakespeare’s Hamlet/Hamlet, Shakespeare 3.0, and Tugged Hamlet, The Comic Prince of The Polish Cabaret POTEMp. 81 - 93Plain TextBIBTEX
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James L. Harner: In Memoriamp. 95 - 111Plain TextBIBTEX
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James L. Harner: In Memoriamp. 95 - 111Plain TextBIBTEX
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"Chinese Shakespeares: Two Centuries of Cultural Exchange", Sun Yanna, Zhang Ye, Shanghai 2017 : [recenzja]p. 117 - 121Plain TextBIBTEX
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"The Magic and the Reality: A Study of the Supernatural in Shakespearean Drama", Tang Ping, Chengdu 2015 : [recenzja]p. 122 - 124Plain TextBIBTEX
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"1616: Shakespeare and Tang Xianzu’s China", Tian Yuan Tan, Paul Edmondson, Shih-pe Wang, London 2016 : [recenzja]p. 125 - 128Plain TextBIBTEX
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"King John", Apostolis Psarros, Athens 2018 : [recenzja]p. 129 - 131Plain TextBIBTEX
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"The Merry Wives of Windsor", Paweł Aigner, Gdańsk 2015 : [recenzja]p. 132 - 135Plain TextBIBTEX
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"Macbeth", Agata Duda-Gracz, Wroclaw 2017 : [recenzja]p. 136 - 139Plain TextBIBTEX
