TYTUŁ
Anglica. An International Journal of English Studies
2015 / Tom 24 / Numer 1
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TYTUŁ ARTYKUŁU
STRONY
CZYNNOŚCI
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Transcending Linguistic and Cultural Boundaries: A Story of Friendship Between Ira Aldridge (1807–1867) and Taras Shevchenko (1814–1861)s. 7 - 18CZYSTY TEKSTBIBTEX
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“The whole green theatre of that swift and inexplicable tragedy”: Gardens in G. K. Chesterton’s Father Brown Storiess. 19 - 40CZYSTY TEKSTBIBTEX
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Vladmir Nabokov’s Aerial Viaduct: "Pale Fire" and the Return to the Forbidden Pasts. 41 - 57CZYSTY TEKSTBIBTEX
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Elizabeth Jennings and Poetry Reaching Out Towards Transcendences. 59 - 72CZYSTY TEKSTBIBTEX
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The Use of Ambiguity and Inconclusive Endings in Graham Swift’s Novelss. 73 - 82CZYSTY TEKSTBIBTEX
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The Progress of Evil and the Return of Justice in Shakespeare’s "Richard III"s. 83 - 96CZYSTY TEKSTBIBTEX
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The Art of Tale-Telling in William Shakespeare’s "The Tempest"s. 97 - 107CZYSTY TEKSTBIBTEX
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Invitation to the Waltz: Dance Hall, Transgressions, and Women in Inter-War Britains. 109 - 117CZYSTY TEKSTBIBTEX
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Ted Hughes and Poetry as Spiritual Restitutions. 119 - 132CZYSTY TEKSTBIBTEX
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“My Watson to your Holmes”: Rewriting the Sidekicks. 133 - 146CZYSTY TEKSTBIBTEX
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The Nature of Religion in Iain Banks’s Novels: "The Wasp Factory and Consider Phlebas"s. 147 - 160CZYSTY TEKSTBIBTEX
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Technophobia and Technophilia in American Postmodern Criticisms. 161 - 175CZYSTY TEKSTBIBTEX
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"Hauntology and Intertextuality in Contemporary British Drama by Women Playwrights", Edyta Lorek-Jezińska, Toruń 2013 : [recenzja]s. 177 - 179CZYSTY TEKSTBIBTEX
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"Spectres of Men: Masculinity, Crisis and British Literature", Katarzyna Więckowska, Toruń 2014 : [recenzja]s. 180 - 182CZYSTY TEKSTBIBTEX