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Introductions. 7 - 8CZYSTY TEKST
Introduction , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 7 - 8
BIBTEX@Article{ authors = "", title = "Introduction ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "7 - 8" }
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The origins of collecting in China. Underground bronze treasures as a reflection of ancient collecting (Part II)s. 9 - 32CZYSTY TEKST
Bogna Łakomska, The origins of collecting in China. Underground bronze treasures as a reflection of ancient collecting (Part II) , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 9 - 32
BIBTEX@Article{ authors = " Bogna Łakomska", title = "The origins of collecting in China. Underground bronze treasures as a reflection of ancient collecting (Part II) ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "9 - 32" }
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Celadons in China, Their Fustat Finds, and Imitations in the Islamic Worlds. 33 - 49CZYSTY TEKST
Amelia Macioszek, Celadons in China, Their Fustat Finds, and Imitations in the Islamic World, The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 33 - 49
BIBTEX@Article{ authors = " Amelia Macioszek", title = "Celadons in China, Their Fustat Finds, and Imitations in the Islamic World", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "33 - 49" }
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Comparative Aesthetics: the construction of perspective in Chinese and European paintingss. 51 - 76CZYSTY TEKST
Jean-Yves Heurtebise, Comparative Aesthetics: the construction of perspective in Chinese and European paintings , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 51 - 76
BIBTEX@Article{ authors = " Jean-Yves Heurtebise", title = "Comparative Aesthetics: the construction of perspective in Chinese and European paintings ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "51 - 76" }
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Three vais.n.ava pillars from the Gupta period in the collections of the Bharat Kalā Bhavan and the Allahabad Museums. 77 - 97CZYSTY TEKST
Agnieszka Staszczyk, Three vais.n.ava pillars from the Gupta period in the collections of the Bharat Kalā Bhavan and the Allahabad Museum , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 77 - 97
BIBTEX@Article{ authors = " Agnieszka Staszczyk", title = "Three vais.n.ava pillars from the Gupta period in the collections of the Bharat Kalā Bhavan and the Allahabad Museum ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "77 - 97" }
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England’s affair with India Bibi in the art of European artists in the second half of the eighteenth centurys. 99 - 114CZYSTY TEKST
Dorota Kamińska, England’s affair with India Bibi in the art of European artists in the second half of the eighteenth century , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 99 - 114
BIBTEX@Article{ authors = " Dorota Kamińska", title = "England’s affair with India Bibi in the art of European artists in the second half of the eighteenth century ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "99 - 114" }
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Modern art of traditional Ural craftss. 115 - 122CZYSTY TEKST
Shabalina Natalia, Modern art of traditional Ural crafts , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 115 - 122
BIBTEX@Article{ authors = " Shabalina Natalia", title = "Modern art of traditional Ural crafts ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "115 - 122" }
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Rincón de los Milagros. Passing through a moments. 123 - 134CZYSTY TEKST
Marta Skwirowska, Rincón de los Milagros. Passing through a moment , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 123 - 134
BIBTEX@Article{ authors = " Marta Skwirowska", title = "Rincón de los Milagros. Passing through a moment ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "123 - 134" }
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Paintings on the Preservation of Life and Modernization of Buddhist art in Early Twentieth-century Chinas. 135 - 160CZYSTY TEKST
Su-hsing Lin, Paintings on the Preservation of Life and Modernization of Buddhist art in Early Twentieth-century China , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 135 - 160
BIBTEX@Article{ authors = " Su-hsing Lin", title = "Paintings on the Preservation of Life and Modernization of Buddhist art in Early Twentieth-century China ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "135 - 160" }
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“Master Yang” in Wonderland. Reading Yang Mao-Lin’s Kill Alices. 161 - 174CZYSTY TEKST
Szu-hsien LI, “Master Yang” in Wonderland. Reading Yang Mao-Lin’s Kill Alice, The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 161 - 174
BIBTEX@Article{ authors = " Szu-hsien LI", title = "“Master Yang” in Wonderland. Reading Yang Mao-Lin’s Kill Alice", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "161 - 174" }
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Duel Regard: “Views” from Taiwanese Women’s Artss. 175 - 186CZYSTY TEKST
Shu-ping Shih, Duel Regard: “Views” from Taiwanese Women’s Arts , The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 175 - 186
BIBTEX@Article{ authors = " Shu-ping Shih", title = "Duel Regard: “Views” from Taiwanese Women’s Arts ", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "175 - 186" }
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Women Relation with the Water in Video Art by Sigalit Landaus. 187 - 198CZYSTY TEKST
Magdalena Furmanik-Kowalska, Women Relation with the Water in Video Art by Sigalit Landau, The Artistic Traditions of non-European Culture, 2014 / Tom 2, s. 187 - 198
BIBTEX@Article{ authors = " Magdalena Furmanik-Kowalska", title = "Women Relation with the Water in Video Art by Sigalit Landau", journal = "The Artistic Traditions of non-European Culture", issue = "2014 / Tom 2", pages = "187 - 198" }
